Jim Fitzgerald
Member
Vaughn, thank you for the wealth of information, I'll look for the 247 book and keep reading. I know many questions will be answered as I go, I wonder if it's easier to start with B&S tissue. It seems that Formulary has a DEA requirement for select chemicals and B&S doesn't have that stipulation on their web site. I'm going to slowly bring myself up to starter before the workshop and have fun doing it. I have to look at my negatives, a Half Dome on the left while looking at it from the lodge won't do.
Jim, the relief or texture of the print is of great appeal to me and is one characteristic that initially got me interested. Making the tissue is of course going to be the most valuable part of the process, the ability to control the final color, relief and final look is exciting.
The photo that Vaughn posted and one at the base of Bridalveil falls are the images that got me interested in the first place. Once you see them up close and personal it is hard to print any other way.
Curt
Curt, I did exactly what you are doing before I took my workshop with Vaughn a while ago. I think the more one researches the process the better. You have an understanding of the procedures involved and what it takes. Once you actually do the steps everything will fall into place.
As Vaughn has pointed out it is best to start with a tissue that is consistent like the B&S tissue. Check to see if they have the thick tissue if you are looking for relief. I too like the relief and will demonstrate how to pour tissue for relief. I just decided to jump in with both feet and start making my own tissue from the start. We did not pour tissue at the workshop but Vaughn explained it very well and once you do it you will want to do your own. The control I think is one of the key factors that drew me to carbon transfer.
There are a lot of variables that come into play and the need to make notes is a very important factor if one is going to try for any repeatability. Finding negatives that suit your process will fall into place when you make a print that jumps off of the page. My negatives are all over the place and I'll demonstrate how one can get a very nice print with some difficult negatives.
Jim
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