THE book.

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davidkachel

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THIS is a book you have to read. It is about fine art photography, its marketplace, workshops and in particular, its people. Its title is "Photo Hero, A Satire of Photography", something I am seriously thinking of having printed on my business cards (Photo Hero, that is). It is a novel, believe it or not, but clearly based on people, events and practices in the real photographic art world. It is also hysterically funny.

Written by George Covington, the fellow responsible for the photography for the blind movement in recent years (no, this is not a joke: most blind people are not totally blind and they very often find that photographs help them "see" far more than they could otherwise). George himself is 95% blind but will go over a photograph with relish and at length, also producing photographs of his own in no small numbers.

George has been in the fine art photographic world for years, has been a staff member in the US House and Senate and in the Bush (1) White House. He has also lived in New York, known a number of famous photographers and even Arnold Newman said that he learned a lot from George.

George has no concern for anyone's sacred cow and is also delightfully deranged.
I checked his book out of the local library (he happens to live in the same town as myself), read it in one sitting and immediately ordered a copy from Amazon.

Forget that new book on film processing or clever printing techniques you were about to buy. Admit it, you already know 99% of it anyway. What you REALLY need is a genuinely good laugh, not to mention a shocking insight into the fine art photography world.
From the photo magazine staff that reviews prospective portfolios in the nude to a lesbian biker gang that shows up unexpectedly at a photographic workshop venue, if nothing in this book makes you fall out of your chair laughing or gasp at the disgraceful goings-on in the photographic art world, call your local newspaper; you need to add your name to tomorrow's obituaries.

I have no pecuniary relationship with George Covington or his publisher, though I might be able to shame George into buying lunch once out of this. Do yourself a favor and buy his book. When you are finished with it you are certain to do what I am going to do: read it again!

David Kachel

(shoot me an email if you buy it or check it out of the library)
 

Stefan Findel

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Sounds great. I just ordered it. I suspect, that it will reconfirm my suspicion about the fine art world.
 

BWKate

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Sound like a good read! I'm always on the look out for something a little different especially something literary about photography... I'll see if I can order it in my local bookstore.
 

mckenna

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Question about Print Tone Control

Thanks for the heads up on The Book, Just finished reading the reviews on Amazon, Sounds like a good read. Back in 2005 I came across your article on Print Tone Control in an old issue of Darkroom and Creative Camera Techniques. I have tried the process with mixed results and have determined that my shortcomings stem from the lack of proper dyes. I was unable to find Veronica Cass retouching dyes so I tried others but found the the tint to be a bit heavy. If you know how to find Veronica Cass dyes or a suitable substitute I would appreciate the info.

Thanks
mckenna
 
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davidkachel

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Oct 20, 2008
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Thanks for the heads up on The Book, Just finished reading the reviews on Amazon, Sounds like a good read. Back in 2005 I came across your article on Print Tone Control in an old issue of Darkroom and Creative Camera Techniques. I have tried the process with mixed results and have determined that my shortcomings stem from the lack of proper dyes. I was unable to find Veronica Cass retouching dyes so I tried others but found the the tint to be a bit heavy. If you know how to find Veronica Cass dyes or a suitable substitute I would appreciate the info.

Thanks
mckenna

Sadly Veronica went out of business and no one has replaced her. Not that anyone could have. I know of no reasonable substitute. VC dyes were water based but formulated in such as way as to not dry from the outside edge inward, leaving the typical ring one sees when something water-based dries. VC dies left a clean and uniform edge that blended perfectly with the rest of the dye deposit.

You'll just have to experiment with whatever you can find and hope something works.

Another alternative is to use pencils rather than dies. This is harder but also effective. You just don't get the opportunity to influence local contrast they way you do with dyes. You need mechanical pencils of varying degrees of hardness and they must be ultra-sharp. Pass them repeatedly between sheets of very fine grit emery paper until you need a strong magnifying glass to see the tip. Then you have to learn to work with it without breaking the point... takes lots of practice and a ridiculously light touch. Oh, you must also use a blank sheet of film that has a retouching surface. T-Max films do not, despite what the great yellow uncle says. Tri-X and Plus-X work great. So do most of the older thick emulsion films such as Super-XX.

dk
 
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mckenna

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Amarillo, TX
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Thanks for the response. I am going to try dilution of the dyes that I have on hand and see if I can get better results .
 
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davidkachel

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Oct 20, 2008
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Thanks for the response. I am going to try dilution of the dyes that I have on hand and see if I can get better results .

Also consider adding a very minute amount of surfactant, such as PhotoFlo.
 
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