That's It I've Had IT

Mahler_one

Member
Joined
Oct 26, 2002
Messages
1,155
I have noted that prices for very good Jobo CPE processes have come under $300 on that auction site we all love. Tanks are a few bucks more...couldn't be easier. For roll film developing the lift isn't needed...let me know by PM if you need more help.

Edwin
 

fhovie

Member
Joined
Mar 20, 2003
Messages
1,250
Location
Powell Wyoming
Format
Large Format
Continuous agitation will make good negs (I used to do it that way) but my quest was for sharpness. Accutance is improved by stand processing. It takes longer and requires some testing but so does any good process. I like my stand processed negs a lot better. They are a lot sharper - I get great skies - NO blown out highlights - better film speed and more detail in shadows. - and no need to listen to a motor running.
 

B&Wenthusiast

Member
Joined
Sep 11, 2005
Messages
44
Location
Charlotte, N
Format
35mm
That's It I've had it!


I'm happy to pay $7.99/roll for ours. Must be a really good one - Camera World in Charlotte, NC!
 

Mahler_one

Member
Joined
Oct 26, 2002
Messages
1,155
Interesting that you mention stand development. We are getting away from the subject asked on this thread, but I have often read about what you have just stated concerning accutance. However, I haven't seen much objective evidence that stand processing does indeed improve the accutance . If one does careful film testing using densitometers and step tablets then one can determine with a reallly good degree of certainty the developing time for a given subject brightness range such that one can obtain reasonably consistent negatives using the Jobo at a given temperature with a given developer at a specific dilution. No problems with shadow details, or highlights, unless I have done a poor job with my incident metering. Hence, again, I wonder if you might have some references that can point me in the right direction as to objective evidence that compares accutance with stand development versus development with constant agitation-same subject, same subject brightness range, same temperature, same developer at the exact same dilution. Prints made on the same enlarger, same paper, etc., etc. I certainly would like to learn how to make the best prints and negatives that I can, and perhaps stand development would yield better results in some situations. I'm going to move our discussion to another thread so that we can benefit from the experience of those who have also used both stand and agitation developing. Great that you brought the subject up. Thanks.

Edwin
 

Bluechapel

Subscriber
Joined
Apr 19, 2007
Messages
48
Location
Southwest Ok
Format
35mm
25 years ago I was a stupid teenager who had landed a "paying" gig as a concert photographer for our local big shows. ("Paying" meaning free tickets.)
Second show out of the gate (Rod Stewart, maybe?) I had a lab screw up the film. Been doing 90% of mine since-all the B&w and E-6, but I will run some c-41 snapshot stuff to Mal-Wart.

Once you get set up, it's a breeze, and a great way to destress. After 20 years I broke down and bought a second hand Jobo off of ebay-Dear Sweet Lord in Heaven! Step outside to smoke while running film? Who'd of thought it possible?

Oh, but it's addictive. I think in the long run a Heroin habit would have been
cheaper.
 
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