Tetenal VS Kodak E6

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Ian Grant

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I've used a lot of Tetenal chemistry over the years and it's extremely good. I use their C41 and RA-4 chemistry with no problems but I haven't tried the E6 kit although I have seen the results from people that do and the transparencies are indistinguishable from Kodak or Fuji chemistry.

Tetenal is a highly regarded manufacturer and make some of Ilford's chemistry for them.

Ian
 

Stan160

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I've used both kits in the last year. I can't tell which was used on slides shot on the same type of film, in the same camera, on the same day.

Some people say that long term stability is compromised unless the full 6-bath process is followed.

Get back to me in 50 years and I'll let you know ;-)

Ian
 

srs5694

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I don't believe I've used Tetenal's 3-bath kit, but I have used at least two others (Paterson Chrome 6 and another brand whose name I don't recall, but I believe they make Freestyle's Arista-brand E-6 kit. I found that neither produced results that were as consistently good as what I get from Kodak's kit. Both of these 3-bath kits are advertised as being intended for reuse -- that is, you mix up 250ml (or whatever), process a roll, store the chemicals, and then process a second and third roll. I found that results on the first roll were usually fairly good, but the second and third rolls seldom matched the first roll. This problem was particularly bad if the chemicals were stored for long between uses, but even doing two rolls back-to-back, the second roll was usually too dark and the color was a little off. For a low-volume user such as myself, this was a big drawback; it raises the cost to the point that Kodak's (nominally single-use) kit is less expensive, and/or the need to save up and run two rolls back to back vs. processing two rolls at once in more chemicals eliminates the advantages of a simpler 3-bath process vs. a 6-bath process.

As to claims of poor archival qualities when using 3-bath kits, I can't comment from personal experience. My own perspective on this is that since I can't test it myself, I'd rather play it safe and use a product that's most likely to produce long-lasting results. This means Kodak or Fuji E-6 chemicals. Since I don't know of any place that sells Fuji chemicals in anything but industrial quantities in the US, that means Kodak for me. If I were forced to use a 3-bath kit, I'd consider using C-41 stabilizer on it. I figure that would be unlikely to hurt, and might help, archival stability.
 

Ian Grant

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I used the original 3 bath kit Photochrome 6 for years from it's introduction to just before it's disappearance, it was superb there's no difference between slide made using it or commercial labs and no signs of fading after 30+ years. It was made by Phototecnology in the UK, the successor to Johnsons, later they merged with Paterson, production only stopped when Champion moved photo chemistry manufacture from the UK to Spain.

Not all 3 bath kits are good, some had a poor reputation but Phototecnology & Tetenal both made/make first rate chemistry.

Ian
 
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