- Joined
- Jan 24, 2005
- Messages
- 279
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- Multi Format
Greetings!
I have recently been lucky enough to get access to a quantity of old film. As the person who offered the film said "it has been in my freezer until the past few months" seeing as some of it expired in the early 80s and the boxes look pristine I am willing to believe it.
Now.. A lot of this stuff (mostly 35mm, some 120) appears to be bulk loaded or just a roll in in a cannister without a box.
I am wondering a way to test some of this without shooting it..
For example, there is 12 rolls of panatomic-X in the stash that appear to be hand loaded and each is labeled as 36 frames. As a test I considered cutting off a leader plus an inch or two to reveal the unexposed film, then developing it at whichever time I can find as a baseline and then measuring the basefog with a densitometer on each of the rolls.... If consistant between all twelve I would shoot as its normal film for a small project I have which this small amount of unattainable film would suit well.
Now I am wondering, granting that my developing times are in the ballpark (and further refined through actual exposures) would the method described above be a good method for ensuring that I do not end up with 'lost' work when working with this film of unknown origin/storage/etc?
some of the stuff includes......efke kb14 and kb17, agfa 25iso, kodak recording 2475, techpan and some other stuff
edit: I guess I am wondering if i should be worrying more about fog than anything else with these old films... am I missing something with contrast/density problems? etc..
I have recently been lucky enough to get access to a quantity of old film. As the person who offered the film said "it has been in my freezer until the past few months" seeing as some of it expired in the early 80s and the boxes look pristine I am willing to believe it.
Now.. A lot of this stuff (mostly 35mm, some 120) appears to be bulk loaded or just a roll in in a cannister without a box.
I am wondering a way to test some of this without shooting it..
For example, there is 12 rolls of panatomic-X in the stash that appear to be hand loaded and each is labeled as 36 frames. As a test I considered cutting off a leader plus an inch or two to reveal the unexposed film, then developing it at whichever time I can find as a baseline and then measuring the basefog with a densitometer on each of the rolls.... If consistant between all twelve I would shoot as its normal film for a small project I have which this small amount of unattainable film would suit well.
Now I am wondering, granting that my developing times are in the ballpark (and further refined through actual exposures) would the method described above be a good method for ensuring that I do not end up with 'lost' work when working with this film of unknown origin/storage/etc?
some of the stuff includes......efke kb14 and kb17, agfa 25iso, kodak recording 2475, techpan and some other stuff
edit: I guess I am wondering if i should be worrying more about fog than anything else with these old films... am I missing something with contrast/density problems? etc..
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