The result on the paper (or film, come to that) depends on the volume of light delivered to it, and this is the product of the lens aperture and the exposure time. Adjusting either affects the result. So it makes perfect sense to use a logarithmic sequence of exposure times as well as lens apertures. Yes, they are different measures, but the effect on the exposure is exactly the same.
Look on your camera: do you not see a similar logarithmic sequence of shutter speeds? Nobody questions that. So why is nonsensical to use a similar sequence when making a print?
As for bulb warm-up and cool-down, these largely cancel each other out and the effects on any but the shortest exposures are minimal in my experience.
It occurs to me that if you use a sequence of exposure strips on a sheet of paper and then decide on a base exposure from those choices, you can make another test strip with your timer set to that amount of time. You can observe the difference with your binocular, wetware metering system and make a decision about a minor adjustment (if needed) based on empirical observation. You could even develop a chart for these compensations..ie how much to add or subtract for any number of eliminated start/stop cycles when extrapolating an exposure from test strips.
Kodak used to recommend a single 60 second exposure with a cardboard covering the print for varying times. Thus the portion of the strip exposed for the full 60 seconds would be darkest and each of the sections would recieve 10 seconds less exposure...
PE
why keep complicating the issue?
e.g. if your first test strip of 5 +5 +5 +5 +5 indicates somewhere around 20 secs, do another test at 15secs +3 +3, that may then indicate the 'correct' exposure to be something like 19 secs
f stopping, using meters or any other device or technique won't be anymore accurate
why keep complicating the issue?
e.g. if your first test strip of 5 +5 +5 +5 +5 indicates somewhere around 20 secs, do another test at 15secs +3 +3, that may then indicate the 'correct' exposure to be something like 19 secs
f stopping, using meters or any other device or technique won't be anymore accurate
who, if you stop kidding yourself, can see the difference in density between 20.9 and 30 seconds
who'd notice, 1.7 secs in 20 is not gonna make any appreciable density difference
1/4 stop steps are too big for you?
of course, for macro adjustment, but for fine adjustment full seconds are no less 'correct' than parts of seconds just because they are partial stops
Todd
Make the print exposure for the same time and in the same way as you did the best test exposure. For your interest, my free article on f/stop timing, which includes a table, is still available on my website at:
Dead Link Removed
Ralph, are you aware that the pdf file is locked down so that the article may not be printed?
No, I wasn't. That makes no sense, and I'll fix that. Thanks for telling me.
That would be great. Thanks very much.
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