Likewise, a camera can create art or documentation or illustration. It isn't necessarily art just because it was created with a camera (or paint and brushes or pencil and paper).
Steve.
Almost anything can be art. Walking down the street could be artistic. You could swagger like John Wayne or you could stagger like Jerry Lewis. (See also: "The Ministry of Silly Walks.")
You can draw a picture with a pencil or you can jot down a list.
You can paint a painting with a brush or you can paint a barn.
You can also cut down a tree with a chainsaw or you can sculpt a Venus de Milo.
What I was getting at with the verbs "paint," "sculpt" and "draw" versus "take" (a photograph) is the perception of art as it is related to the tools used to create it. When you see a paintbrush or a pencil in a person's hand you are inclined to think about the result as art, regardless of the subject or purpose of the painting, because you perceive that the painting comes from the artist. When you see a camera in somebody's hand, you are less likely to think of the result as art because you perceive that the photograph comes from the CAMERA.
I think it is this misperception that gets in the way of letting people see photographs as art. If somebody shows you his painting, you're not likely to ask him whether it was painted with oil or acylic. You aren't likely to ask him whether he used a sable hair brush or a China bristle brush. If a guy showed you a copy of the Venus de Milo sculpted with a chainsaw, are you going to ask him whether he used a Poulan or a Husquavarna?
So, what the hell is the difference whether a photographer uses a Hasselblad, a Rolleiflex, a Leica, a Pentax or an empty beer can and a roll of duct tape?
I like the technology of making photographs. It's one of the things that draws me to photography. I'm the kind of guy who loves to tinker with things. However, I do not look *AT* the camera when I make a photo. I look *THROUGH* the camera, both literally and figuratively.
It's not the paintbrush that paints the painting. It's the painter.
It's not the camera that makes the photograph. It's the photographer.
Just as it is up to the intent of the painter or sculptor to decide whether or not he will make art, it is up to the photographer to decide the same.