I just ordered one of the Rezivot trimmers from the Brooklyn outfit that is US seller. I don't need it but it's really cool.
Both a little pricy but pleasure to have and a big time saver/
Have you seen the price of the ablon template things on ebay? They're twice what they were 18 months ago. 3d printed are $50. I'm glad I spent the $20 on my template when I did because -- well, the only thing I don't like about the IIIf is film loading and the template made that simpler for me. But you don't need a template for the normal 35mm cameras I use.
However, if I bulk loaded lots of rolls at a time I'd definitely feel $70 for a punch that was well made and worked consistently every time was a good price. I appreciate good tools that do a job well.
Have you seen the price of the ablon template things on ebay? They're twice what they were 18 months ago. 3d printed are $50. I'm glad I spent the $20 on my template when I did because -- well, the only thing I don't like about the IIIf is film loading and the template made that simpler for me. But you don't need a template for the normal 35mm cameras I use.
However, if I bulk loaded lots of rolls at a time I'd definitely feel $70 for a punch that was well made and worked consistently every time was a good price. I appreciate good tools that do a job well.
I am about to bulk load 165 rolls and Vacuum seal them.
A genuine ABLON is pretty darn cool! But now all the collectors and Ebay have driven the price to insane prices.
The Rezivot cutter can produce the longer leader with multiple cuts.
A genuine ABLON is pretty darn cool!
Just for grins, I cracked open an Ilford Delta3200 cassette, and an Across II, just to look at the spools. Both have the one-hole-in-the-middle style, not the two hole like that reflx lab punch.
I don't have any other empty Fuji cassettes, I don't do my own color developing, so I can't even steal other spools from Fuji cans. Seems strange they don't have one for the more common center-hole spools.
Years ago, I adjusted the caption on this image:
View attachment 342625
I don't known why he's bothering to trim that film, since it's not even in a cassette.
But I guess this illustration is where people get "Cut to the 23rd perforation." One perforation is obviously wasted by this guy.
When I bulk loaded film I used one of these without slicing my thumb.
You had a screwmount Leica?
There's no need to use a template to cut 3 inches of film. Just look at it and do it.
Also, you clearly ignored the trajectory of the blade and left your sense of humour on another thread.
For years I've been using one I hand made from a bit of an aluminum case. Much less elegant than the commercial ones but it works.
As for the Ablon, I use this one (https://www.thingiverse.com/thing:1951048), but I had to drill-out the hinge and use some metal pins as the hinge. But now there's this one (https://www.thingiverse.com/thing:3621037) that looks at least a thousand times better, so I might reprint it. I'm pretty sure it costs less than a dollar to print.
No, it was the simplest and easiest to use in the 1970's and 80's.
(Fuji's 120 finishing is by far the best in the industry, IMO.)
+2. I save my Fuji 120 spools, I bought a 1/4 " hole punch, a little tiny one. When I'm feeling jittery I punch the tab on my Kodak films. Ridiculous really but I really like the Fuji method. Also since Kodak decided to use whatever the glossy coating on the backing paper the "exposed tape" doesn't stick as well.
Can you elaborate on the process?
I am about to bulk load 165 rolls and Vacuum seal them.
Did you get your 165 rolls loaded up? I managed to load 5 rolls of Ektachrome in the last 24hrs. I think I have figured out how to load what B+H calls Sensai cassettes. They snap together nicely when everything is lined up right. Not sure how they will work in the field. I really like the die cutter (Rezivot) I picked up from Brooklyn Film Camera. All this makes no economic sense, but it's good experience, keeps me sane, relatively so.
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