My big $$$$ recent purchase is a Gitzo GT5563GS - the giant of the 5 series systematics. It’s a very expensive giant carbon tripod. Like 8ft approx without a centre column. It’s incredibly well built. I am 6ft but I like shooting certain projects from height. This thing is quite special and quite specialised. Unique. I now need to find a ladder.
I have a smaller Gitzo systematic for air travel, and also a Gitzo 3 series 3543 xls. It’s the best all-rounder I have. I can stand straight underneath the apex, and yet it’s light enough and can easily hold a 4x5 with a 210mm lens solidly in the field fully extended. It’s a total ‘buy once’ solution. Often I shoot at ‘normal’ height with only the wider upper sections extended which is even more stable.
15 years ago I went to that NYC superstore and physically compared the feel of the different brands on display. Back then there was a clear difference in the flesh in build quality between Gitzo and all the Chinese brands. Had to go with Gitzo then. I imagine these brands have narrowed the quality gap (and of course there are great non-Chinese brands like RRS and FLM) but as my Gitzo(s) are ‘buy once’ products I have never even thought twice about checking out the alternatives.
Don’t skimp on tripods if you are shooting LF. The lenses are longer, the camera bodies are more vibration prone, and at f22 your exposures are longer. Film is too expensive per shot to suffer any vibration doubts.
My best advice is to get to a store where you can try options before buying. Specs are not that useful once you’ve narrowed your choices. Feel is very important.
Two things to carry instead of one…. It would work, in certain circumstances, anyway, but it sounds a little cumbersome… Also a little limiting.A shorter tripod and camp stool is also an option, and a very comfortable way to shoot. And might provide a more interesting perspective than eye-level.
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A good tripod and head combo at very good price from a reputable LFF member.
Thanks MTG Seattle. I will keep an eye on the DC craigslist. There are a surprising number of tripods on there.
As for tube legs being stronger than U-shaped legs, probably true, but it would take some pretty severe, out-of-scope mishap for it to matter. I will say that I had a Gitzo monopod that survived being run over by a VW Bus. It stuck a little afterwards when adjusting but that's all.
The decision I'm coming to is, I started do I want to attempt a 'budget' setup, or do I face the music and get an 'end game' unit, which by my definition can be had for $600-$800?
It's really a more a question of satisfaction. Are you sure you'll be happy after the expenditure? Many a photographer & pro photographers have successfully used a plethora of brands. I bought my current Gitzo (@ Glazers in Seattle no less) for $75 when folks were dumping them for the new carbon fiber versions.
A month and 4 pages in, is it possible that you're overthinking the tripod?
Yes, I may be overthinking but I have had too many unsatisfactory tripods to just randomly pick one sight unseen and hope for the best. I myself have bought a plethora of them over the years. I regretted many of them, One well-regarded one dumped my Rollei SL66 onto a rock. I've been out of the game awhile and I only want to buy one more. I never realized that it would be so difficult in this modern age to find one that had adequate height (meaning more than about 60") without paying twice what the camera cost or to find basic information that would help in making a decision. About 2% of used-tripod ads have the information I need to make a decision sight unseen. In the old )days, I would have gotten help by walking into a camera store, but those don't exist anymore unless I want to hop a train to NYC. It's the difficulty in obtaining useful information that has made it such a project.
Wow, there's not a brick-and-mortar camera store in the DC area?
The only Bogen/Manfrotto product I ever had a problem with was my very first "nice" tripod which was a 3001 that had the screw lock mechanism (thumb screws at the leg section joints). It was a solid little tripod, but those thumb screws were a nuisance in the field.
There are several brick and mortar photo shops around DC and Baltimore, athough they don't have the depth of inventory that the NYC stores have.
I'm 6'2". For my LF field cameras up to and including 8x10 I use an old aluminum Gitzo 3-series leg set without center column (G-340) along with a Slik SH-909 3-way head. The leg set is getting a bit balky after all these years - one of the leg sections is difficult to collapse, so I leave those sections extended all around - so I might replace it at some point. I'm very pleased with the Slik head and will move it to the new leg set if and when I get one.
Good luck, and enjoy!
G if you're buying an Intrepid, you might soon be looking for more than just your last tripod....
Not a fan?
Not a fan....
Low cost and low weight were at the top of my want list, and the intrepid checks both boxes. Having owned and used many styles and types of 4x5, I had a pretty good idea of the compromises involved and that I could work within them given its design and my usual tastes in subject matter. Maybe even a little bit of a challenge. As Baron von Richthofen said, ”It isn’t the crate, it’s the operator.”
That said, if it ever gets to the point where I can afford a Technikardan again….
The early models were quite crude. Chamonix maybe better, which they should be for several times the cost. It’ll do. there is even a chance that the simplicity might inspire some creativity around dealing with it. Remember the Diana? It was a roll film camera that was really a piece of garbage (which the intrepid is not). It was the core of many photography classes where the teachers would send the students out with a piece of crap and tell them essentially “See what you can do with this.”
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