It's night time here and my mind is clouded, but I will check the resource tomorrow on clear head. I still need to finish clicking my sacrificial roll of Kentmere anyway so I have some time until Saturday.Too much agitation can increase contrast and have other undesired effects on the film. Same for too little agitation.
I usually follow the manufacturer's recommended agitation times and frequency, but here's a good video that shows the technique, and might answer some questions for you: http://crawfordphotoschool.com/film/index.php
Chris has a lot of good information on his site.
I still pray for a day when all those above mentioned supplies will be freely available in Georgia.Again:
A friend took me with him into his bathroom and let me accompany him during processing a film. Obviously part of the process was not visible to me as he turned off the lights...
The next day I went into town and bought at a supermarket (yes, those were the times...) a 2-reel Jobo tank, a bottle of developer concentrate, a bag of fixer, a bottle of wetting-agent. And one brown storing bottle for the developer, and a measuring beaker, forv the fixer I used a water bottle (no good idea!). As thermometer I used a room thermometer where I put a mark at 20°C and took it out of its holder.
I had no book or such. Just what I experienced in that bathroom and the leaflets with the things I bought.
My films all came out fine.
This internet makes things look terrible complicated...
Developing tank, and be it something old from Lomo, beakers, bottles, a funnel, a thermometer should be no problem to get locally.
Developer-, Fixer- and wetting-agent-concentrate have to be ordered. But meanwhile we all have to order such as it no longer is available locally.
Good day
Looks like it is time for me to get my hands dirty. I have a proper ID-11 developer, but stop bath consists of white vinegar solution and fixer is also homemade with Theo Sulphate or Thiosulfate of Sodium. Before I start, I have some questions to minimize catastrophic failure:
1. Pre-soaking. What does this step involve? I just pour plain water into tank with film and agitate it? Or is there some magic ritual involved? And why do I even do that?
2. Stop bath. Do I need to agitate while doing this, or I just pour in, wait some time and pour out?
3.1. Fixer. Do I need to agitate it and if yes, then with what frequency?
3.2. Fixer. Is there some set time for fixing, or I just need to take the film out and see if the base is clear already?
3.3. Fixer. Does film speed have anything to do with fixing time, or it will be same for, let's say, ISO 100 and ISO 400 films?
3.4. Fixer. Do I filter the fixer solution for storage/re-use, or do I just pour it down the drain and use a new batch for every roll?
4. Rinsing. Do I rinse after each step (dev, stop, fix) ?
These are all very basic questions but answers vary from thread to threat, from article to article.
True. You just extend the development for colder water, and shorten it for warmer water. It's a LOT easier than trying to maintain a temperature.I suppose I could ask my father to help me, but things were different in USSR, I think some things changed and some advanced a little.
So this one here actually works and I can go as low as 16 degrees (average temp of my stored water)?
Printing is the most enjoyable part of the process! Don't skip that. It's the end result of your picture taking-film-developing efforts.I'm mainly referring to the chemicals, since I already have everything else. I even have an enlarger, tray, red light, dryer and everything else that is required for black and white printing, but I don't have a motivation to do it.
Hello! I indeed must keep in mind that tapping thing. I don't want any bubbles, I've read enough posts about artifacts on developed film. It's alright if thiosulfate takes longer than rapid fixer, I have nowhere to hurry, can develop in the evening, after work and leave it for the night to dry. I bought 1 kilo of that powder with difficult name for around 2.5$ here, it'll make enough fixer to last for whole year, in several batches. Much more than I need since I shoot monochrome mostly in winter.
don't use the turny-thing to agitate your film
do the actual agitation rocking and turning it ...
that spinnything is useless.
bummerThat tank he got is a "spinning" tank. It has no lid, thus cannot be inverted without running empty.
Your agitation should cause the chemicals to slosh around inside the tank. With those tanks, you will know that you are agitating too much when the sloshing is so much that some sloshes out.That is an interesting technique. But how do I control amount of agitation? I mean, too much agitation can wash the whole film, right?
The product's datasheet is the first place to look for information like that. The manufacturer always gives conservative figures and in this case it is 6 months, assuming undiluted developer, stored in air tight containers. In practice, you can store it much longer than that, but it will be a bet when it actually becomes significantly less potent.How long an unused solution of ID11 would last assuming it's air-tight and stored in the dark? Some say six months isn't a problem, others say 2 months are maximum.
So in this case practical longevity is somewhat close to datasheet. Thank you. I have one liter solution, next time I'll consider a bigger one.The product's datasheet is the first place to look for information like that. The manufacturer always gives conservative figures and in this case it is 6 months, assuming undiluted developer, stored in air tight containers. In practice, you can store it much longer than that, but it will be a bet when it actually becomes significantly less potent.
I checked today (Ilford Photo website) and could not find again those basic informations. As with other issues I consider their new site a mess.
Not for me: https://www.ilfordphoto.com/category/learning-zone/Just found a link to their Learning Zone, but it is dead.
That is what I have used for 50+ years.I think I overdone with agitation - continuous for first 30 seconds and then 5 seconds in every 30 seconds. Maybe next time I'll agitate a little less. But I was expecting something worse.
That is what I have used for 50+ years.
Two smooth twisting inversions ( or two smooth figure 8 movements) every 5 seconds - the liquid gurgles, but doesn't foam.
Whatever you did, keep it up, your images look great.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?