No basis. I've lived here long enough to not even try to understand anymore.Maybe the Superia Venus 800 is for dimly lit glamour shots?On a more serious note I wonder what the basis was the use of the word Venus? Doesn't seem to have much to do with any aspect I can think of relating to Fuji Superia.
pentaxuser
Superia X-TRA 400 and Superia Premium 400 are both different films and are sold side by side here in Japan, theres a chart in some of the shops illustrating the difference
階調 translates as tone, 硬調 on the high side of the up/down scale means high contrast
色調 translates as colour tone.
So up is high contrast, down is low contrast, left is low saturation, right is high saturation.
There's Velvia and Provia for that
Big gaping holes all over the right side of that graph. Very disappointing Fujifilm!
I'm making a list of all the available color negative films worldwide. And shooting all of them in similar(ish) conditions, a colorchart, light . It all started as a game for myself to see what film should I stick to, but i decided to put the results online as a kind of informal reviewThey are both made in Japan. Probably the same.
Lexus used to have Toyota logos here in Japan. They just recently labeled the luxury models Lexus here.
what research are you doing?
No, these are totally different films. For the correct answer for this or similar question you have to make a simple thing - open the datasheets and compare graphs. Venus 800 probably is better, cause it's Dmax is higher.
Venus 800 datasheet: http://fujifilm.jp/support/filmandcamera/download/pack/pdf/datasheet/ff_superiavenus800_001.pdf
Superia X-tra datasheet: http://www.fujifilmusa.com/shared/bin/AF3-068E.PDF
Big gaping holes all over the right side of that graph. Very disappointing Fujifilm!
Contrast makes the eye think the colors are saturated.
Difficult to introduce a low-contrast high-saturation film.
Kodak's Ektar is said to be more contrasty as other negative films, but sure has more latitude than slide films.Contrast makes the eye think the colors are saturated.
Difficult to introduce a low-contrast high-saturation film.
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