I was reading the submission instructions for Lens Work and it specifies 8x10 silver prints.
I don't know about you others, but to make up some 8x10 'fine prints' for submission will require me to make a bunch of mini-dodging and burning tools. In the past I only make 8x10s as work prints or proof prints. I need a bigger image (usually 16x20) to do a 'fine print' where I can really get it just right with 'intensity manipulation' and spotting etc.
This seems like a formidable task, as they seem to want at least 20 photographs. I am going to have to re-print up 20 or so of my best work, shrinking it down to fit on 8x10 paper. With some kind of asthetic border, my image is about 7.5 inches tall. To do this I have my enlarger column all the way down to the bottom. I could not even use my APO 45mm Schneider for a print this small (it was too wide). I was teetering on the edge of 'diffraction mush' at F11 with a 5 second base exposure. (I can deal with all of these technical issues, like use the 4x5 diffusor and a 100mm lens, etc) But it still seems unnatural to me to make such small prints that are not just 'work prints' or proof prints.
I don't know about you others, but to make up some 8x10 'fine prints' for submission will require me to make a bunch of mini-dodging and burning tools. In the past I only make 8x10s as work prints or proof prints. I need a bigger image (usually 16x20) to do a 'fine print' where I can really get it just right with 'intensity manipulation' and spotting etc.
This seems like a formidable task, as they seem to want at least 20 photographs. I am going to have to re-print up 20 or so of my best work, shrinking it down to fit on 8x10 paper. With some kind of asthetic border, my image is about 7.5 inches tall. To do this I have my enlarger column all the way down to the bottom. I could not even use my APO 45mm Schneider for a print this small (it was too wide). I was teetering on the edge of 'diffraction mush' at F11 with a 5 second base exposure. (I can deal with all of these technical issues, like use the 4x5 diffusor and a 100mm lens, etc) But it still seems unnatural to me to make such small prints that are not just 'work prints' or proof prints.
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