Studio flash

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Jim Jones

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colrehogan said:
What flash unit(s) might be good for LF studio portraiture?
I've used White Lightning units for many years with perfect reliability. The current X3200 model has a guide number of 343 with the 7" supplied reflector, and 640 with the 11" reflector. The UltraZap X1600 is being closed out at a reduced price. It has guide numbers of 236 and 450. Even this might suffice for individual and small group portraits.
 

Nick Zentena

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colrehogan said:
What flash unit(s) might be good for LF studio portraiture?


The Speedotron Force 10 puts out quite a bit of power. I think the claimed GN is about 500 with the 11" reflector. From using it I don't think that's unrealistic.
 

AeisLugh

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Nick Zentena said:
I wouldn't get the Ni-Cad battery. Used to be some guy on Ebay selling AA battery holders for I think less then $10. If it's just the flash you'll need at least a cable. Maybe even a bracket. Good thing is I think all the current parts from Metz fit the CT-3. Except maybe the new Nihm battery holder.

the lot on KEH comes with the AA battery holder. for the money I save, I could pick up some NiMH batteries to use with it lol
 
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I still have a couple norman and spedo sets but have converted to mono lights. Did so 6 or 8 years ago and won't go back. I love them! They range in volume from 1600w/s to 200. It is so nice to have self contained cases that you unload at the loction where you want the light then tear down and go. everything you need (cables, reflecters, radio slaves) all together. They are all packed in cases a little larger than a brief case and marked. It is so easy. If we're shooting interiors we grab all the cases. smaller jobs you just grab what you need and run. Larger spaces need more light so I was worried about using the smaller monoligfhts but as it turned out I only lost about 1/2 a stop. Pretty amazing! We're usually at around 11.5 (single pop) for the larger spaces and what ever we want for smaller spaces. As far as durability I've only lost one unit. It was the first unit we bought and it was a tester I bought used, so who knows what it went through before we got it. The norman and speedo stuff worked great! but for effiency they are slow and cumbersum. They also rattle the walls trying to suck power into the capacitors. periodically blowing circuits if were'nt careful about how many we run in line. With the mono heads this problem dissapeared.
 

Quinten

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For portraits in a studio I wouldn't worry about the power to much, I use 1500W lights and never have them on full power most of the time even less than half their power.
With people you usually don't need a big depth of field wich means your lens will be a bit further open allowing more light in.
When you want to shoot still lives etc with sharpness from front to back (lenses stopped down) or shoot a lot at locations (or huge studios) you might think about more power.

cheers!
 
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