I've been driving myself crazy trying to diagnose bromide drag or surge marks on parts of my negatives. Turns out it is stress marks from the cassette. Very uniform and deceiving but was confirmed when I pulled out an entire roll and examined it with clear patterns vertically from perf to perf resembling bars from top to bottom.
I've used Kalt and old Kodak XX cans but the best results seem to be reusing leader out discarded cassettes.
The problem seems to be sporadic and usually towards the end of the roll and is when it is most prevalent.
I shoot on Vision3 stock so I know its a bit thicker but has anyone else had experience with uniform stress marks within cassettes?
I have a Lloyd Bulk loader to cassettes and I do not think my F3+MD-4 is part of the equation as these rolls I looked at were not loaded into a camera yet.
I have shot over 1000' of 5219 this year alone so I am pretty well versed in bulk loading. I usually only go 24 exposures to account for thicker stock. Some cassettes seem tighter than others. Has anyone had either tight bulk loads or issues like this? Is there a way to alleviate some tension or a different way to load?
I've used Kalt and old Kodak XX cans but the best results seem to be reusing leader out discarded cassettes.
The problem seems to be sporadic and usually towards the end of the roll and is when it is most prevalent.
I shoot on Vision3 stock so I know its a bit thicker but has anyone else had experience with uniform stress marks within cassettes?
I have a Lloyd Bulk loader to cassettes and I do not think my F3+MD-4 is part of the equation as these rolls I looked at were not loaded into a camera yet.
I have shot over 1000' of 5219 this year alone so I am pretty well versed in bulk loading. I usually only go 24 exposures to account for thicker stock. Some cassettes seem tighter than others. Has anyone had either tight bulk loads or issues like this? Is there a way to alleviate some tension or a different way to load?