Hello everyone,
Yesterday I ran on a strange issue using a new bottle of a unusal (for me) developer, it's the Ilford Cooltone developer.
The paper I use for 'every day' printing is the Tetenal Vario TT, notably for contact sheets. I am used to process it in Tetenal Variospeed W developer (when I manage to get it), or in Ilford Multigrade, and it's working fine for both.
I am doing B&W printing on a regular basis since my high school years (about 25 years ago, <gasp>
), and although I don't pretend to be an expert, I thinked until now almost any print paper can be processed with almost any paper developer.
So I processed an exposed (with my casual time) contact sheet in the Ilford Cooltone, to get out an almost grey/white sheet of paper, severly underexposed. I double check the enlarger lens diaph, and ran a test strip with increased exposures. I multiplied my exposure time by four, and got a not-even black and muddy test strip. It's looks like if my paper was severly aged, losing sensibility and contrast. I tested then with another developer same box of paper, and got a totally normal print.
So, what is the issue with the Ilford Cooltone ?
- Maybe this new opened bottle is just too old, I bought it less than two years ago, but I don't know how long it stay on shop's shelf before. The color of concentrate developer seems to be very normal, a clear transparent liquid.
- There is a compatibility culprit between Tetenal paper (was maid by Agfa ???) and this Cooltone developer ? I know Tetenal have is own offer concerning warming/cooling image modification, using Variospeed W (for Warm) or Eukobrom as developers. Maybe there something like a conflict here ?
Anybody had thoughts or experiences to share here about it ?
Thanks you for looking,
Regards,
Raphael
Yesterday I ran on a strange issue using a new bottle of a unusal (for me) developer, it's the Ilford Cooltone developer.
The paper I use for 'every day' printing is the Tetenal Vario TT, notably for contact sheets. I am used to process it in Tetenal Variospeed W developer (when I manage to get it), or in Ilford Multigrade, and it's working fine for both.
I am doing B&W printing on a regular basis since my high school years (about 25 years ago, <gasp>
), and although I don't pretend to be an expert, I thinked until now almost any print paper can be processed with almost any paper developer. So I processed an exposed (with my casual time) contact sheet in the Ilford Cooltone, to get out an almost grey/white sheet of paper, severly underexposed. I double check the enlarger lens diaph, and ran a test strip with increased exposures. I multiplied my exposure time by four, and got a not-even black and muddy test strip. It's looks like if my paper was severly aged, losing sensibility and contrast. I tested then with another developer same box of paper, and got a totally normal print.
So, what is the issue with the Ilford Cooltone ?
- Maybe this new opened bottle is just too old, I bought it less than two years ago, but I don't know how long it stay on shop's shelf before. The color of concentrate developer seems to be very normal, a clear transparent liquid.
- There is a compatibility culprit between Tetenal paper (was maid by Agfa ???) and this Cooltone developer ? I know Tetenal have is own offer concerning warming/cooling image modification, using Variospeed W (for Warm) or Eukobrom as developers. Maybe there something like a conflict here ?
Anybody had thoughts or experiences to share here about it ?
Thanks you for looking,
Regards,
Raphael
