Photo Engineer said:
1. New sensors are being designed in which the R/G/B sensor array is not side-by-side, but rather stacked in a manner similar to the layered structure of analog film. This may reduce "grain" and improve sharpness of digital imaging. It will eliminate aliasing...
2. The invention of the superlens...allows materials to have a negative index of refraction. This means that a sensor array element can be constructed with a size smaller than the wavelength of light used to create it. This is not theory, it has been reduced to practice and is coming.PE
Scientific American article said:
"A slab of negative-index material could act as a superlens, able to outperform today's lenses, which have a positive index. Such a superlens could create images that include finer detail than that allowed by the diffraction limit, which constrains the performance of all positive-index optical elements....
The hurdle of translating the wizardry of...negative-index materials into usable technology remains. That step will involve perfecting the design of matamaterials and manufacturing them to a price. The numerous groups now working in this field are vigorously tackling these challenges."
Dear PE,
Thanks for posting your thoughts. My interest in generally tracking these developments is to get a bead on when digital capture will cost-effectively do what my LF film gear currently does. My general impression is not to hold my breath.
While the current Phase One P45 digital back (39 megapixel) apparently yields image quality approaching that of 4x5 film, it can do so only when stringent limitations on aperture are applied (e.g., any f-stop smaller than f/11 results in significant resolution loss due to diffraction, see
http://www.luminous-landscape.com/tutorials/understanding-series/u-diffraction.shtml). Thus, f/11 in MF digital is roughly equivalent to f/22 in the LF world (i.e., the aperture beyond which significant diffraction loss occurs), a difference of two stops. If one normally presumes a three stop depth-of-field difference between 645 and 4x5 (one stop between 645 and 6x7; two stops between 6x7 and 4x5), then one gains a total of 3 stops minus 2 stops equals one stop of depth-of-field by moving from 4x5 film to 645 digital. Spending $40K+ on an MF digital system just to gain one stop of depth-of-field certainly does not seem very compelling, and when higher resolution MF digital backs come out the problem will get even worse (presumably any aperture smaller than f/8 will result in significant diffraction loss). In a way, MF digital technology is chasing its own tail: it can continue reducing pixel pitch, but only at the cost of reducing lens aperture requirements to a point where depth-of-field is too limited to be of use.
The alternative approach to achieving higher pixel counts is to enlarge sensor size. But this will increase image sensor cost significantly (the larger the sensor, the lower the die yield per silicon wafer) in an industry where costs are already sky high. Enlarging sensor size does not seem to be a very economically promising approach from what I can tell.
Hence my presumption that the two technologies you mention (small sensors with R/G/B pixels, and superlens-based lenses) are collectively considered necessary to take digital technology a quantum leap forward (no pun intended). With a superlens, a small sensor would no longer be diffraction limited at useful apertures, opening the way to significant resolution gains. But while the concept of a superlens may have been theoretically validated, it is very much a science project at this point. We are clearly many years away from ordering a superlens for one's Hasselblad or Technika.
So my take on all this is that, until R/G/B plus superlens occurs, MF digital will largely be technologically stuck in neutral, and film will continue to rule for those who don't need fast image turn-around times.
35mm-derived digital products (such as the rumoured 20+ MP Canon and Nikon FF cameras) will continue to be interesting, but of course these products are not of the same image caliber as LF (4x5 and beyond).
Does all this make some sort of sense, or have I been sniffing the XTOL again?
Best regards,
Eric