TBH, something would have happened sooner or later. Directors/shareholders not in the first flush of youth, who needed to realise their investment and effort at some stage.
GOOD
chemical photography isn't all hassle-blads, leicas and "large format"...
Before the previous thread closed there was some dissent from my point that there has been no new research into film technology. I can't give a precise date for tabular grain innovation, but that was the last "new" thing and I strongly suspect the research behind it was not very recent. By research I mean people writing PhDs that trickle down into products on the shelves, not manufacturing tweaks.
Some will say research is not relevant, film is what it is take it or leave it, and they might have a point. However this effectively leaves a product based on a historical process created on historical machinery, never a healthy long term prospect. The technical details behind T-grain and similar technology seem to have disappeared from the web, so I can't offer a definitive date to the concept, someone else may provide an answer.
Digital machine code is even older than film technology yet nobody says computers are old tech.
Kodak Portra is recent, and it scans well, but is it technologically innovative? I shoot a fair bit of Agfa Vista 400, aka Fuji 400 at 100 ISO and it offers qualities very similar to Portra, albeit at a lower film speed. Re. Rob C's point, Ilford films are much more expensive in the UK than the US, in bulk rolls the difference is even greater. I buy a steady supply of HP5+ for the sole reason it has a thicker film base than TX400, but resent paying a premium for purchasing a home grown product. I hope the new owners will standardise prices globally.Kodak Portra film, which is one of the newest films around, definitely set the bar when it comes to scanning. A well scanned negative of Portra 160 is truly amazing.
I hope you can clarify if the new owners intend to have the same commitment as the old ones.
I fully agree with that.
Every time there is a change of something, there's always those that panic buy.
To Harman:
You said this:
“We remain totally committed to Analogue Photography, and indeed to all forms of Imaging.Our Product Range is uniquely stable and of the highest quality, and we can assure all of our customers that we will continue to support them in our customary way for the foreseeable future”
That last bit is what worries me.
I would like to see the older commitment to the production of film of the entire range, from Kentmere films to Ilford SFX, to be reiterated.
It would have been better if you had wrote:
"...that we will continue to support them in our customary way as we have always done."
That would spell out any doubts.
As it is, I'm glad I don't depend on your products as I am mainly a Foma customer, but I would miss the Kentmere films.
I hope you can clarify if the new owners intend to have the same commitment as the old ones.
Thank you!
Dear Ralph,
Its been in our mission statement from the day HARMAN technology Limited Limited was founded 9 years ago in February 2014:
' We will be the best, and the last in Black & White, and judge our performance on how well we respond to our customers needs'
BUT lets hope we have plenty of competition and for a long time to come, and I'm absolutely sure we shall...we value choice....
Simon ILFORD Photo / HARMAN technology Limited
No, it's also Nikons, Canons, Pentaxes, Rolleis, Yashicas, Mamiyas...
exactly ...
Ahhhh that is just too cynical for words you cannot trust anyone now?
There have a been a lot of complaints from UK users about the pricing of Ilford films in the UK which is a lot more expensive than in the US. Strange since the stuff is manufactured here. Well now I know why. If you want to sell the company to a UK investor, it helps to have a balance sheet showing a big increase in UK sales £££.
Ricardo, I share your worries, and let's not forget this:
after all, it's all business.. no ?
Before the previous thread closed there was some dissent from my point that there has been no new research into film technology. I can't give a precise date for tabular grain innovation, but that was the last "new" thing and I strongly suspect the research behind it was not very recent. By research I mean people writing PhDs that trickle down into products on the shelves, not manufacturing tweaks.
Some will say research is not relevant, film is what it is take it or leave it, and they might have a point. However this effectively leaves a product based on a historical process created on historical machinery, never a healthy long term prospect. The technical details behind T-grain and similar technology seem to have disappeared from the web, so I can't offer a definitive date to the concept, someone else may provide an answer.
Life removed my green filter long ago.You forgot to put your rose-colored glasses on for this new thread.
Kodak Portra is recent, and it scans well, but is it technologically innovative? I shoot a fair bit of Agfa Vista 400, aka Fuji 400 at 100 ISO and it offers qualities very similar to Portra, albeit at a lower film speed. Re. Rob C's point, Ilford films are much more expensive in the UK than the US, in bulk rolls the difference is even greater. I buy a steady supply of HP5+ for the sole reason it has a thicker film base than TX400, but resent paying a premium for purchasing a home grown product. I hope the new owners will standardise prices globally.
Kodak Portra is recent, and it scans well, but is it technologically innovative? I shoot a fair bit of Agfa Vista 400, aka Fuji 400 at 100 ISO and it offers qualities very similar to Portra, albeit at a lower film speed. Re. Rob C's point, Ilford films are much more expensive in the UK than the US, in bulk rolls the difference is even greater. I buy a steady supply of HP5+ for the sole reason it has a thicker film base than TX400, but resent paying a premium for purchasing a home grown product. I hope the new owners will standardise prices globally.
Ilford were trying to make money selling photo products. Suggest you could try
http://www.pemberstone.com
instead... I'd suggest they will be trying to make even more money.
Or look them up in company house.
Especially since, like me, you're just a member here and don't provide the site any financial support.
Their web site in not up to date or finished. Not a good sign IMHO.
I've shot a lot of Portra and scanned and printed it in 35mm and medium format. I prefer the colours from Fuji Pro400H. Portra is nice film and has good latitude but it isn't on a different technical planet to other C41 and isn't as saturated or as fine grained as Ektar 100. Besides, this conversation which is about the future of a black and white film manufacturer is going well off topic.Nothing scans like Portra 160. I shoot a LOT of Fujifilm and none of their films come close. If you are not seeing it, then you have low quality scans. Portra sets the bar here and it is truly innovative.
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