Some time ago I was able to work out and polish a pretty old formula for a developer, it's basically built around phenylendiamine, catechol and hydrochinone...
This formula needs the so called "seasoning", so pulling some 5-6 rolls through it before you can get constant results.
Now I've heard of kinda "starter" for these developers. They should give the parts that otherwise these sacrificed 5-6 rolls would give.
The Kodak starters Matt refers to above are intended to turn a replenisher solution into an unseasoned starter developer.
Actually Lachlan, they are also equally usable for turning an unseasoned full strength developer into a seasoned working solution for a replenished developing line - thus the inclusion in the Kodak X-Tol data sheet section on Replenishment.
I know this is splitting hairs, but Xtol is really a replenisher - which can also be used in unstarted form at stock strength or diluted. It's a seemingly small distinction, but important - especially when dealing with much older ideas of developer/ replenisher relationships.
I know this is splitting hairs, but Xtol is really a replenisher - which can also be used in unstarted form at stock strength or diluted. It's a seemingly small distinction, but important - especially when dealing with much older ideas of developer/ replenisher relationships.
Here we get to the commercial thing about it: for the big companies selling this kind of developer is not as profitable, as selling one-shot soups.
These are the main elements of my soup:
Sodium Hydrosulfite
Glycin
Sodium Bisulfite
Sodium Sulfite
Sodium Carbonate
Phenylenediamine
Pyrocatechin
"Alternatively you could use old fogged photographic paper to handle seasoning."There are several aspects to seasoning: there is bromide and iodide released during development, but there is also oxidation of development agent and the sulfite, happening both through development reaction and through aerial oxygen. You could try calculations: how much silver is in 5-6 rolls of film, how much bromide/iodide will it release, how much developer will get oxidized through development?
If you can get a solid handle on these numbers, you can add the bromide/iodide, and you can simulate developer oxidation by adding e.g. Hydrogen Peroxide.
Alternatively you could use old fogged photographic paper to handle seasoning.
@Sodium Dithionite: Used as is I guess it would indeed fog film, it is even used as fogging agent in color reversal. However, if not too much is added and the developer is well seasoned after mixing, all of it may be converted to sulfite or sulfate. It may even be in there to allow seasoning in automated developer machines.
@Sodium Dithionite: Used as is I guess it would indeed fog film, it is even used as fogging agent in color reversal. However, if not too much is added and the developer is well seasoned after mixing, all of it may be converted to sulfite or sulfate. It may even be in there to allow seasoning in automated developer machines.
Interesting! If dithionite is in the formula primarily to facilitate seasoning, then it means that the developer will fog the first few rolls of film till all the dithionite is consumed. So it makes more sense to continue with the conventional seasoning method of "pulling some 5-6 rolls through it" than to add bromide/iodide/peroxide.
These 5-6 rolls may be way more expensive than a few grams of halide and peroxide. Even expired film is quite costly these days.
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