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Don't forget a sturdy tripod!
and an assistant to carry everything.
and an assistant to carry everything.
the last CMW Fuji 250 will cover, but with very little room for movements, but its a very nice lens for 5x7 or 4x5. I prefer long to wide, and long gets very expensive. I pieced together a 355mm G-Claron for about $450 all told, but most 360s are much more than that in a shutter. (I tried the hat method and didn't have much success, so most of the lenses have shutters.) Barrel lenses aren't nearly as bad, but then you have to use a manual process or get a packard or sinar shutter.
I've seen Burke and James cameras, like John mentioned above, stripped of their gray paint, stained and covered in polyurethane. They looked quite nice if you want to do the work.
I paid less than $300 for my Fuji 250mm f/6.7 lens in Copal shutter. I have seen them go for less than $200. Fantastic lens with plenty of coverage for 8x10. Just make sure you get the 6.7 version. The white lettering will be on the inside of the lens. Later versions with different maximum aperture and lettering on the outside of the lens had less coverage and are not good for 8x10. Pair the Fuji with the Burke and James and you will have a nice low cost outfit. Well, low cost for 8x10.Film and film holders are not cheap either so do your research to make sure you can afford it.
Don't forget a sturdy tripod!
Your most inexpensive choice, and I use that word cautiously knowing that there is no inexpensive 8x10 anything, would be a store bought or homemade pinhole camera.
These days a G Claron 355 in a Copal is $900+. I had a real soft spot for the Commerciall Ektar 14" character, they're generally less but then the shutters likely need servicing.
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