nathanielkorb
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So I've worked with stand development a lot and am rather comfortable with it. Thing is, I went through two rolls within a short period of time (Kentmere and Tri-X, exposed at 1600, which I plan on stand developing) and was thinking of doing both at in the same tank. I use a Paterson that can take two rolls, but I've never actually processed multiple rolls at once (at least with a stand, I've done that with D-76, and it worked fine). Can that create any problems?
That's true.There is a problem with scans which has been discussed before. Unless you turn of the autocorrect feature you really can't tell much. The scanner software will correct for such things as low contrast or density. You really need to make a wet print to accurately judge whether a negative is properly developed.
The cited article is very good and discusses such things as the minimum amont of Rodinal to use.
http://unblinkingeye.com/Articles/Rodinal/rodinal.html
So I've worked with stand development a lot and am rather comfortable with it. Thing is, I went through two rolls within a short period of time (Kentmere and Tri-X, exposed at 1600, which I plan on stand developing) and was thinking of doing both at in the same tank. I use a Paterson that can take two rolls, but I've never actually processed multiple rolls at once (at least with a stand, I've done that with D-76, and it worked fine). Can that create any problems?
Sorry, I don't have a macro lens nor a light table. Too poor for that.The value would be a nice macro of the negative to see how it turned out.
I haven't had extensive experience, but I've developed multiple rolls with 1:100 HC-110 from concentrate. I've processed at that dilution with Arista EDU 100, Artista EDU 400 and Fuji Acros for about an hour. I use a film safe light to check the progress. The point of stand processing is that the highlight areas in the film will exhaust the developer faster while shadow areas will continue developing. I pull the fully developed rolls first while leaving under processed film in the tank for further development. I don't always use stand development because the grainy nature sometimes doesn't work for certain images.
What you describe is the reason that stand development is sometimes used in the Zone System. It distorts the tonal range of a scene. I don't think that this something that people want to do routinely. That is why the method should not be used for general development. It is not even used as such with the ZS.
But the question here is whether to ignore Agfa's advice as to a minimum amount of Rodinal.
As a recommendation, no. But, that is an advice, a recommendation.But the question here is whether to ignore Agfa's advice as to a minimum amount of Rodinal.
I'm almost sure that is from fixing.But sometimes, I get streaks on my negatives so it is risky
the only way to learn what something does is to do it.That is why the method should not be used for general development.
I agree. If the looks of stand development fits the look you need, why not? Some Zone practitioners are too hung up on sensitometry. I say let the technique serve your art.the only way to learn what something does is to do it.
while it might distort the tonal range, or drive zone system practitioners to roll over in their graves
why does it matter ?
why does it matter ?
What has not been discussed is that using highly dilute developers also enhances adjacency effects. Used judiciously it can enhance the perceived sharpness of a negative. However when used in excess it can cause a garish, cartoonish look. Real objects do not have lines about them.
Simply
Simply because it is the wrong advice to give someone who is starting out in photography. Said over and over again in all sorts of mediums, one must know the rules thoroughly before one can break them.
So the OP question about using D-76 would be a no
as soon as i hear someone telling ME never to do something like this,
i always do it so i can learn why i should do it again, or should never do it again.
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