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SpotPen Kit

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I have a set sitting on the shelf - I have used them on a couple of occasions, but found it difficult to "do" the small specs of dust. The tip is not particularly fine and the colours do not suit toned prints at all well.

I have since picked up an assortment of Spotone dyes and a pad of Kodak Velox tints. Diluting one or more of these and applying with a very fine brush gives me a good colour match and control for just about any print.
 
Like others, I found them a bit difficult to use, though I didn't have a problem matching tones, they just seemed to put too much ink down. That said, with some practice, I got better at using them, but still prefer Spotone with a tiny brush.
 
I have a few sets of them, but still spot with a dry brush. The pens often left a halo around the area I was spotting.
 
They are my preferred method. What I really work at is making prints without spots in the first place.
 
I dislike them intensely. Give me a good 00000 brush and watercolors anytime.
 
Any one use or experimented with SpotPen kit? Saw it on http://www.thephotoshop.ie/ and thought that coud be a nice kit to have.

I tried them but much prefer the real spotting dyesif you can still find them.I was lucky enough to stock up before they vanished but, a simple Chinese ink stick will do the job as well.
 
I use the spot pens regularly, but it doesn't make the task easy. You still need patience and a very light touch. Glossy prints are a pain in the neck since they don't absorb the dye quickly.

What I like about the pens is that all of the tones are pre-mixed right there, so you can quickly grab what you need. And they have a warmtone version as well.
Before spotting an exhibition print, I sit myself down with a few work prints and spot them, just to get in the groove. It does help to lightly moisten the surface of glossy prints prior to spotting. Even breathing on them helps.
 
I use the spot pens regularly, but it doesn't make the task easy. You still need patience and a very light touch. Glossy prints are a pain in the neck since they don't absorb the dye quickly.

What I like about the pens is that all of the tones are pre-mixed right there, so you can quickly grab what you need. And they have a warmtone version as well.
Before spotting an exhibition print, I sit myself down with a few work prints and spot them, just to get in the groove. It does help to lightly moisten the surface of glossy prints prior to spotting. Even breathing on them helps.

aminute in Sistan does wonders for dye absorption
just sayin':wink:
 
Of course I will sound biased but I find the pens very easy to use and like them. I got my set in 2002, long before I started selling them and they still work perfectly today.

Peter
 
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