Inputting the meter readings for black and white points, with a few stored paper constants, should allow your head to come up with the right contrast and exposure.
http://www.darkroomautomation.com/support/appnotesgmeasured.pdf
The second page of that document describes a simple method of determining exposure for #00 and #5 filters. The remainder of the document explains why it works, and how to adapt it to any paper. It's all based on using f-stops for both exposure and time. It's clear that Mr. Lindan put much effort into creating this method, and in designing and producing products. I bought his enlarger meter, and it has been a great help.
I suspect that he vanished for a few years out of frustration. He put much effort into improving our art, and then few people paid any attention. I'm in that situation with software: I invented a better way to design software, published a book about it (IDAR method), wrote articles, and even presented it to NASA/JPL. It's been field-tested in two products, so it's practical and not just theory. And then... nothing. People just go on their way, and ignore improvements. That's discouraging. I might be wrong, but I would guess that Lindan got discouraged by the lack of interest in his work.
I've been reading the document he wrote (linked in the quote above), and thinking about how it can adapted to LED heads. It relies on what I will call "blue dominance", which is stops-of-blue minus stops-of-green (i.e., intensity-of-grade5 minus intensity-of-grade00). My controller is based on green dominance, which is the negative of blue dominance, so they are equivalent. And his method ingeniously uses the flat portions of the curves for almost-black and almost-white, resulting in his simple method. I'm impressed. His method results in adjusting the times for blue and green in stops, but with a LED head, you can instead change the LED's power-levels and use the same time for both, gaining the convenience of having only one exposure. I'm thinking of how to incorporate his method into my controller...
Mark Overton