That's right. This is typical of lenses produced in the '80s, especially wide-angle lenses. By the mid-90s, Hasselblad and Mamiya 67 lenses had already been corrected for digital sensors. As I mentioned before, the F-Distagon still exhibits purple fringing at the edges before the lens profile is applied.
Even with film, you could see the difference between the F-Distagon (C) and the Arsat, noticeable in the center, and much more noticeable at the corners. The optical projection was also different.
Maybe you had a bad copy because the slides I shot with the Zodiak-8 are tack sharp from edge to edge. Additionally, mine was fully multicoated by Hartblei, meaning all the lens elements were multicoated, unlike standard lenses, in which the only front and rear elements were multicoated. This results in only one light spot reflection opposite the sun within the frame and no loss of contrast.
I just won an auction (Catawiki) and bought the Fisheye + rear filters for 175 euro (excl.). I'm glad to own one of these monstrous lenses again. Now I hope everything will operate smooth and the infinity focus will be working properly.
I'm looking for the fisheye lens, but man.... The prices went up! Two years ago I bought one for 130 euro. It couldn't focus to infinity. Now I know it's because it missed the rear lens filters ... Unfortunately I sold it. Now.... They go easy for 200+ euro. Many of them also come without the filters.
This is because of the ultra low dispersion glas (ULD) in this lens. My Mamiya ULD 50mm is free of chromatic aberrations on digital medium format sensor, even 20mm shifted.
So I assume it will be similar with ULD 24mm lens.
This is because of the ultra low dispersion glas (ULD) in this lens. My Mamiya ULD 50mm is free of chromatic aberrations on digital medium format sensor, even 20mm shifted.
So I assume it will be similar with ULD 24mm lens.
Interesting. I didn't know that was an ULD lens. I assumed the price was do to the popularity of Mamiya 645 lenses with video shooters, with people gobbling up the small number of these lenses to complete a set. Although that lens would be of very limited use for video.
I’m looking to add another lens to my Kiev-60 system. I already own several Zeiss lenses, but I’d like to complement them with some Soviet lenses for a variety of photography, mainly portraits and nature.
I’m currently considering the Arsat fisheye, the Vega-12B, and the Vega-28B.
I’d be interested to hear your experiences with these lenses. Which of them offers the best balance between image quality and price, in your opinion?
I currently have Arat fisheye. Haven't developed the film yet, but looks fantastic through the prism. I'm shooting with a Pentacon six. Also have a Kiev 6c. I love that camera because it's left handed, but it needs a CLA and Ukraine is off limits to me for now
I currently have Arat fisheye. Haven't developed the film yet, but looks fantastic through the prism. I'm shooting with a Pentacon six. Also have a Kiev 6c. I love that camera because it's left handed, but it needs a CLA and Ukraine is off limits to me for now
The Kiev 6C was originally developed for the Soviet space programme, which is why it has a left-hand design. The right hand was meant to be kept free for writing notes during shooting.
It is the same as Arsat lenses of last generation, because they did it at Arsenal factory using its recipe.
BTW "ArsAT" stands for Arsenal Aktionerno Tovaristvo, which means "Arsenal stock corporation" in Ukrainian.
It is the same as Arsat lenses of last generation, because they did it at Arsenal factory using its recipe.
BTW "ArsAT" stands for Arsenal Aktionerno Tovaristvo, which means "Arsenal stock corporation" in Ukrainian.
The Kiev 6C was originally developed for the Soviet space programme, which is why it has a left-hand design. The right hand was meant to be kept free for writing notes during shooting.