Buy a good thermometer?I'm not sure what the moral here is.
I wouldn't feel "dumb" if I were you.Thanks Matt! I think I will get a Kodak Process Thermometer too and pair it with the digital one. Sincerely I never thought the thermometer could fail this bad, I always thought it must have been something wrong with my exposures/chemicals/agitation/timing/whatever. I feel quite dumb now for not thinking about it sooner.
As soon as I could afford to, I bought lab grade Pyrex graduates, a National Bureau of Standards certifed calibrated thermometer, and an accurate balance. For E6 I have a Beckton & Dickinson fever thermometer because it is small.As the title says. Rant and I'm still not sure what is the lesson to learn here is.
I got in BW photography circa 10 years ago. After some very disappointing results I gave up and concentrated on my other passion: 8mm films. Until 2014, when I finished my last roll of Ektachrome and developing Fomapan become too expensive. Since I always liked the BW results with my films, I decided it was time to finally try to master BW photography. So I dug out my old darkroom equipment and started to shoot. But is has not been an easy path in these three years, and I often found myself wrestling with contrast, blocked higlhligts, and wondering why manufacturers give times that result in overdeveloped film, which I often end up cutting down.
Cue to a couple weeks ago. I was in my shared darkroom preparing for some C41 processing. We have a JOBO CPA2 with a three digit serial number and an accompanying thermometer that still says "made in Wester Germany" on it. I never trusted this thermometer too much as it is old and the scale is all curly and washed away. After a previous run of disappointing E6 I decided to bring my trustworthy thermometer from home. Which I brought new and was quite expensive. And the difference between the two was big! Ha! Gotcha! The old jobo one surely was very off. Or not?
The negatives came out dense. Dense and incredibly contrasty, with colors quite off. This is when I started to suspect something. I got a nice digital precision thermometer, and lo and behold, my old one is 3.5 degrees off. For the last ten years - and in particular the last 3 - I have been baking my films at 23.5° thinking it was 20°. Without any compensation. This explains why I always ended up cutting dev times to tame contrast and exploding highlights.
In the last three years I precisely measured with this thermometer the temperature of the developer for almost 150 rolls of film. That thermometer is of a known brand and made explicitly for photographic use. I imagined it would have some tolerance, but almost 4 degrees? I have to retest al my methods again from scratch.
I'm not sure what the moral here is.
here are the lessons I learned about thermometers:As the title says. Rant and I'm still not sure what is the lesson to learn here is.
I got in BW photography circa 10 years ago. After some very disappointing results I gave up and concentrated on my other passion: 8mm films. Until 2014, when I finished my last roll of Ektachrome and developing Fomapan become too expensive. Since I always liked the BW results with my films, I decided it was time to finally try to master BW photography. So I dug out my old darkroom equipment and started to shoot. But is has not been an easy path in these three years, and I often found myself wrestling with contrast, blocked higlhligts, and wondering why manufacturers give times that result in overdeveloped film, which I often end up cutting down.
Cue to a couple weeks ago. I was in my shared darkroom preparing for some C41 processing. We have a JOBO CPA2 with a three digit serial number and an accompanying thermometer that still says "made in Wester Germany" on it. I never trusted this thermometer too much as it is old and the scale is all curly and washed away. After a previous run of disappointing E6 I decided to bring my trustworthy thermometer from home. Which I brought new and was quite expensive. And the difference between the two was big! Ha! Gotcha! The old jobo one surely was very off. Or not?
The negatives came out dense. Dense and incredibly contrasty, with colors quite off. This is when I started to suspect something. I got a nice digital precision thermometer, and lo and behold, my old one is 3.5 degrees off. For the last ten years - and in particular the last 3 - I have been baking my films at 23.5° thinking it was 20°. Without any compensation. This explains why I always ended up cutting dev times to tame contrast and exploding highlights.
In the last three years I precisely measured with this thermometer the temperature of the developer for almost 150 rolls of film. That thermometer is of a known brand and made explicitly for photographic use. I imagined it would have some tolerance, but almost 4 degrees? I have to retest al my methods again from scratch.
I'm not sure what the moral here is.
Or, with Black and White you could do what I do.Thank you all for chiming in on my rantI learned quite a valuable lesson. For some reason I was convinces thermometers are infallible devices - how dumb. I can't get my head over it, as in my engineering job I never blindly trust my equipment and I always cross check I'm getting meaningful readings. For some reason it never occurred to me with the thermometer!
Last night I did some C41 and I could measure the chems at exactly 38.0C, the negatives came out beautiful this time. I can't wait to go out and shoot some more BW and finally develop it a 20 "real" degrees!
I agree. This also ensures that chemicals, tanks, and wash water (if stored in the darkroom) are all at the same temperature, avoiding several problems.Or, with Black and White you could do what I do.
I always develop (and stop and fix and HCA and wash) film at room temperature. I just adjust the developing time accordingly, using the calculator in a Kodak Darkroom Dataguide.
I'm wondering if this approach contributes to my thermometer mindset - trust but verify!
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