You forgot
6. I will be replaced by an AI which will artificially create the photos I would have taken had I gone outside to take photos.
Interesting that many here have focused on how the cameras are made—mechanical vs electronic—and not on the fact that mechanical camera repair as a trade/profession, has not followed the resurgence in film popularity but has essentially become obsolete, with older repairmen retiring and no younger ones to take their place.
Mechanical cameras always broke. Used to be, though, and not that long ago, that in any medium-sized town you had a chance of finding someone who had at least basic knowledge on how a camera worked and could either do simple repair or tell you where to go in a bigger not-too-far town to find someone who could.
If we had the same people today able to do basic repair on mechanical cameras than we had 30 years ago, we wouldn't be having this conversation. Now you have to send it away and suffer long waiting lists not only because there are so few but also because the few that are left have become hyper-specialized, i.e., this guy only does Leica, this guy, Nikon, this guy, Pentax, etc.
I fear this really goes to the heart of the matter. Back in December of last year, I sent a Konica Autoreflex T4 to Greg Weber for repairs. Long story short, Greg has had some health issues and he is getting out of the camera repair business. As far as I know, he has not passed on his considerable knowledge and experience to the next generation of camera repair persons.Interesting that many here have focused on how the cameras are made—mechanical vs electronic—and not on the fact that mechanical camera repair as a trade/profession, has not followed the resurgence in film popularity but has essentially become obsolete, with older repairmen retiring and no younger ones to take their place.
In my medium-size town, we used to have a repair guy named Bill. Everyone called him "Hundred Dollar Bill." The last job Bill did for me was to CLA my Kodak Carousel slide projector in 2004. Six years later, when the Carousel broke a plastic gear, Bill was retired, and I had to repair it myself. While trying to figure out what needed to be done, and in what order, I sure was missing Bill. I would have gladly given him his price to fix it.Mechanical cameras always broke. Used to be, though, and not that long ago, that in any medium-sized town you had a chance of finding someone who had at least basic knowledge on how a camera worked and could either do simple repair or tell you where to go in a bigger not-too-far town to find someone who could.
If we had the same people today able to do basic repair on mechanical cameras than we had 30 years ago, we wouldn't be having this conversation. Now you have to send it away and suffer long waiting lists not only because there are so few but also because the few that are left have become hyper-specialized, i.e., this guy only does Leica, this guy, Nikon, this guy, Pentax, etc.
I still have my Revere 3-lens turret 8mm windup movie camera from 1957. Do they still make film for it?
I play guitar and frequent a few guitar forums. The exact same discussions surface on those forums from time to time, digital amplifiers vs analog amplifiers, valves (tubes) vs solid state, the sound of this vs that, how much easier it is to repair a tube amp vs a modern digital amp, the future availability of new tubes etc. etc.
There are still manufactures of tubes in China and Russia, theres also plenty of good old tubes still out there. Modern circuit boards will fail and not be repairable, but its still viable to make a solid state or tube amp. Ive made several.
These days almost any car or truck that deploys an air bag is totaled out because neither the insurance companies nor the repair shops want to put themselves in the position where the deployed air bag was replaced and did not work later at a subsequent accident.
Yet another naive generalization....the fact that mechanical camera repair as a trade/profession, has not followed the resurgence in film popularity but has essentially become obsolete, with older repairmen retiring and no younger ones to take their place.
That is great news! Now I know where to send my Retina when it next needs attention.Yet another naive generalization.
I took up the slack when Chris Sherlock retired in April 2022, and I am very busy: I repair and/or service an average of four cameras every week. So I am one data point that refutes your claim. One of my friends is a Hasselblad repair technician and he's been doing it professionally for only a few years as well. There are many of us entering the service technician trade in recent years.
Yet another naive generalization.
I took up the slack when Chris Sherlock retired in April 2022, and I am very busy: I repair and/or service an average of four cameras every week. So I am one data point that refutes your claim. One of my friends is a Hasselblad repair technician and he's been doing it professionally for only a few years as well. There are many of us entering the service technician trade in recent years.
Problem with being a camera repair jack-of-all-trades is the time needed to understand how different makes and models of cameras work, and it's time that won't necessarily be rewarded. And camera repair itself has become more difficult as parts which were once supplied as complete modules must now be repaired at the component level. Aside from owners of expensive cameras such as Leica M, Rolleiflex, or Hasselblad, most folks will also balk at paying $200 or more to fix say, a Pentax Spotmatic.Now you have to send it away and suffer long waiting lists not only because there are so few but also because the few that are left have become hyper-specialized, i.e., this guy only does Leica, this guy, Nikon, this guy, Pentax, etc.
I can't imagine the dealer for the manufacturer saying they won't replace an air bag. Airbag replacement is less than $1000. The insurance company pays for replacement as part of their liability or collision coverage. They don't insure the work of the repair company. The repair company insures their own work, if they have insurance. The insurance company isn;'t responsible for bad repairs. If the bag fails subsequently, you sue the repair company, or let your insurance company sue them.
Airbag Replacement Cost And Repairs
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Now you have to send it away and suffer long waiting lists not only because there are so few but also because the few that are left have become hyper-specialized, i.e., this guy only does Leica, this guy, Nikon, this guy, Pentax, etc.
Yet another naive generalization.
I took up the slack when Chris Sherlock retired in April 2022, and I am very busy: I repair and/or service an average of four cameras every week. So I am one data point that refutes your claim. One of my friends is a Hasselblad repair technician and he's been doing it professionally for only a few years as well. There are many of us entering the service technician trade in recent years.
Paul Barden is another fellow who jumped in when Chris Sherlock retired. So that's a net gain of one repairman.
Mark
I still have my Revere 3-lens turret 8mm windup movie camera from 1957. Do they still make film for it?
This is why I keep a never used NOS Hasselblad on my shelf.
Yes, as of today you can buy
_________________________________________
- Fomapan R 100, 25’ und 100’; several dealers* and directly from Foma Bohemia**
- BW 40, Film Photography Project, Fair Lawn = ORWO DN 2, 25’ $25.99, 100’ $89.99;
- BW 100 reversal from FPP = Kodak Tri-X reversal type 7266, 25’ $26.99, 100’ $89.99;
- BW 100 negative, FPP = ORWO UN 54, 25’ $25.99, 100’ $89.99;
- 400 BW negative, FPP = ORWO N 74, 25’ $25.99, 100’ $89.99;
- X 2 negative, FPP = Kodak Double-X negative, 25’ $25.99;
- X 2 reversal, FPP = Kodak Plus-X reversal type 7265, 25’ ;
- Sepia 10, FPP, chromogenous development after ECN-2, in the US only
- 50 D, FPP = Kodak Vision 3 color negative type 7203, 25’;
- 100 D, FPP = Kodak Ektachrome 100, daylight, type 7294, 25’ $69.99, $59 at D. T.
- WittnerVision 50D = Kodak Vision3 color negative type 7203, 25’ € 39,90, 100’ € 139,90;
- Kodak Vision color print film type 3383, D. T.
*Analogue Wonderland, Loudwater, England; Maco, Stapelfeld, Germany; B. & H., New York City, Dennis Toeppen, Urbana, IL; Fotohuis, Ravenstein, Netherlands, and others
**Works and store in Hradec Králové, store in Prague
mechanical camera repair as a trade/profession, has not followed the resurgence in film popularity
and I am very busy: I repair and/or service an average of four cameras every week.
Good for you! More and more people are doing this. And learning to do it right, not just a little lighter fluid and WD-40.I've been teaching myself how to repair cameras…
I think it's simply a matter of the camera designer not anticipating that their creations might still be in use decades later.
Correct me if I'm wrong, but I believe that there is no net gain in this particular circumstance
Yes, as of today you can buy
_________________________________________
- Fomapan R 100, 25’ und 100’; several dealers* and directly from Foma Bohemia**
- BW 40, Film Photography Project, Fair Lawn = ORWO DN 2, 25’ $25.99, 100’ $89.99;
- BW 100 reversal from FPP = Kodak Tri-X reversal type 7266, 25’ $26.99, 100’ $89.99;
- BW 100 negative, FPP = ORWO UN 54, 25’ $25.99, 100’ $89.99;
- 400 BW negative, FPP = ORWO N 74, 25’ $25.99, 100’ $89.99;
- X 2 negative, FPP = Kodak Double-X negative, 25’ $25.99;
- X 2 reversal, FPP = Kodak Plus-X reversal type 7265, 25’ ;
- Sepia 10, FPP, chromogenous development after ECN-2, in the US only
- 50 D, FPP = Kodak Vision 3 color negative type 7203, 25’;
- 100 D, FPP = Kodak Ektachrome 100, daylight, type 7294, 25’ $69.99, $59 at D. T.
- WittnerVision 50D = Kodak Vision3 color negative type 7203, 25’ € 39,90, 100’ € 139,90;
- Kodak Vision color print film type 3383, D. T.
*Analogue Wonderland, Loudwater, England; Maco, Stapelfeld, Germany; B. & H., New York City, Dennis Toeppen, Urbana, IL; Fotohuis, Ravenstein, Netherlands, and others
**Works and store in Hradec Králové, store in Prague
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