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Small run (< 50) boutique printing

Puddle

Puddle

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Actually, maybe Dummy is the wrong word as I always think of a dummy as being a finished volume, ready to show people. Obviously a dummy is not a book with the quality of a finished work, though a Blurb could be seen this way, but is a properly edited, sequenced, often printed to the same size as the hopefully published book.

What I was think of is maybe the dummy before the dummy. I always start with small prints of everything I'm thinking could be in the book. Will digitally print out a load of these, (2x3 or 3x3") so I can just work with on a big table to make a sequence. See which go together, which do not, which work as single spreads, others double page spreads and of course, which really do not work at all so are out the edit. Of course, this could be done on screen but I always think it is easier and more intuitive to do it physically. Then when I think I like it, will collate a load of folded A4 sheets of paper to make a blank book. In doing this, have to think if it is all done in one section, ie all the folded sheets together to be bound, or if it will be different sections together, which will then be bound. I will have an idea how many pages it should be by my editing of the small prints. Also taking into consideration title pages, credits, paper to attach the covers etc.

Important to then number each page including endpapers. Then stick in the small prints on the right page, ideally with removable tape. When finished, it will give an idea if the sequence works but also, you will know that if printing yourself on double sided paper, page 4 is next to page 13, for example, and on the other side, page 14 is next to page 3. I made this example up by looking at a nearby newspaper supplement, but you get the idea. Of course, is different if not a folded book as also possible to bind single sheets. I could have photographed some examples, but am away from work for the weekend!

i suggest making a scaled down book ( not a dummy/full scale copy )
as an editing tool to make sure everything looks OK, to make sure you are
going to put things in the right order, if you are doing full sheets with 2 pages
so you know what pages are what, and what is on the front and back of each page.
just like with a portfolio your editing is important, with a book the edit is almost more important
because, if you are making 50 copies of a book, and something is screwy ... the whole run is messed up.

that, and because it is fun to make a tiny book. if the images are small enough ( like jewel prints )
you can glue them in the pages, use needle and thread and a piece of card stock and actually make a tiny book
you can see how it feels with them all bound, and working together cohesively.
that, and because it is easier to work with things in hand, than in cyberspace, whether it is writing a important document
or putting together a portfolio / book of images.

good luck !
john

ps, don't forget a book doesn't just start, there are endpapers ( mentioned already by mike crawford ) and "front matter"

Thanks Mike and jnanian for the detailed responses, I was going to do the "pre-dummy" with 8x10's, but your suggestions to use smaller prints will make it more manageable, and probably not require an enormous table!
 
Here are some thoughts about producing a photo book, although I haven't started actually doing the work yet. Converting analog images to digital ensures consistency. It certainly facilitates two-side printing, resizing, editing, and making dummies. My Epson 3800 or other quality printers should suffice. Page numbering helps in assembling the book, and is useful if the images are keyed to supplementary text. When the presentation of the images is more important than the images themselves, binding becomes important. Otherwise, spiral binding might suffice. My first try will be with three-hole punching and a loose leaf notebook. That should help in planning a more finished product.

Thanks for sharing!
 
Echoing the suggestions of making some sort of mock-up of the book, a few years ago I was lucky enough to visit an exhibition of the current, original and pre-production maquettes of Koudelka's "Gypsies". The first layouts were done with what looked like contact-prints, from 135 !! They still showed the basic layout and the effects, subliminal or otherwise, of pairing up different images or using foldout pages within the basic book layout.

For your purposes, with current technology, using a laser-printer and a temporary binding would be ok for the roughs, or maquettes -- and cheap enough to produce several different versions without the costs disturbing your sleep...

Edit: It might also be interesting for you to investigate the 'zines' idea. Basically a lower-printing-quality-than-a-book, magazine-style, soft-cover production. You could even end up with one handmade book edition and one very sellable 'zine' edition of the same content.

Out of curiosity, where was the exhibition? That would have been very very enlightening to see, wish that I get the opportunity some day.
 
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