It's not like it was even a few years ago when we had Astia (sigh) and Provia 400X (sigh) and a choice of good films from Kodak as well, all (sigh) gone now.
5. Witnerchrome or some similar spelling, sold under a variety of names by different importers and made in Germany. Speed is ISO 200. Rumors vary on whether they are going to make more or are just selling off existing stock. Many people have had problems with very yellow images but reports vary on whether this has been fixed.
Slide film is for making slides.
Get yourself a projector.
the best part is, my daughter lives, and cancer within has not!
That is the most important bit of all this page.
Congratulations for your daughter.
About projectors, I bet Agx was thinking about 35mm ones.
You might find a Medium Format projector going cheap in second hand. You never know!
Glad to hear the good news about your daughter. Regarding film, why not try different ones and see which you like? How are you going to post the pictures on the web?
The Rollei CR200 that I shot a couple years ago was terribly yellow. I shot my last roll of Wittner Chrome 200D about 5 months ago and it was a little warm but not overly yellow. Both are Agfa-Gevaert Aviphot Chrome 200D. If you're after a 200 speed slide film that's not as saturated as Provia or Velvia, Wittner's version is much better than Rollei's.
About to push the button on some more 35mm Velvia 50. For landscapes and fall foliage, it's the bees' knees. Not so much for snapshots. Go with the Wittner Chrome 200D or the Fuji Provia 100F for that.
I'm looking forward to seeing Ferrania's offerings - looks like they're aiming for April 2015 for the first limited batch, according to their Kickstarter campaign. They're trying to rescue equipment from the old Ferrania factory to put into their new facilities before the buildings they're already in are demolished by the end of the year. Appears that the research coater they were planning to use isn't big enough for their anticipated production needs.
Project the slides if you can. Used 35mm projectors go for a song these days. There's nothing like a 35mm projected slide, except maybe a bigger slide (6x6 or 4x5, anyone) projected or on a lightbox.
And congrats on your daughter being cancer free! Best news ever!
Slide film is for making slides.
Get yourself a projector.
Thank you very much,she is healthy and so far in complete remission, with no traces of unnaturally elevated signs, thank God! I learn something new each day! I assumed they would just scan as well? I do have the Epson V500 Pro, but, I'll assume it isn't going to fix this? Are slides not able to be safe?
This.
This is also why I shoot a lot of slide film in 35mm but practically none in 120. I don't have a medium format projector (though getting one is tempting.)
I see, I thought I had read some article a bit ago, stating that color slide film brought the best results? I also assumed that the plus side, would be the ability to view them via projector! Ahh, such is life, I shall just pass for now, until I am financially able to afford this endeavour !
Best results in what? It's definitely the best at blowing highlights and blocking up shadows.
There's no such thing as "BEST". It's something that people argue over on digital forum. First you need to look at what you want to achieve. Then look at required tools.
I shoot a lot of E6, C41 and BW. Since they are all best at something. And that is to recreate the image I have in my head.
Just a point to remember. E6 doesol not blow highlights or block up shadows ***when it is exposed in conditions or was designed for***.
The vast majority of trouble with slide film is with the photographer, not the film.
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well reproducing color mostly, sure I suffer from deuteranopia, but so what, film doesn't!
Just a point to remember. E6 does not blow highlights or block up shadows ***when it is exposed in conditions it was designed for*** -- diffuse illumination. Problems will develop in marginal conditions (not always taken notice of by photographers!): overexposure of scenes with marked spectrals in point illumination is one recurring theme. As to the question, what is best for one or some photographers is not necessarily going to be the best for another. Skills, experience, knowledge of exposure and intention of the end product all feed into the broader question.
The vast majority of trouble with slide film is with the photographer, not the film.
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