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Digitaltruth

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Sorry for the confused explanation. Here is the official correction:

TF-4 instructions state that you should use a short water rinse AFTER the stop bath and before the fix. The purpose of this rinse is to remove acid being carried over into the fixer from the stop bath.

Clearfix Alkaline does not require any such intermediate rinse, as the buffering system can handle the acid carryover.
 

Photo Engineer

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Jon;

I have no doubt that your fixer is a good fixer. I made a statement about the first documented use of TEA in a fix and its relationship to image stability which is certainly a potential new factor. I have also warned those who love to take prints out of the fixer with their hands, that this is no ordinary fixer due to containing an organic solvent and alkali like TEA. It is prudent to use tongs or rubber gloves. It should be treated more like a developer in that regard.

I would like to add for the record that I have no vested interest in TF-4 fix in any way whatsoever. The only fix formula of mine currently available is my Super Fix formula which has been donated to the public both here and on Photo Net. I have no fix being produced commercially, nor any about to be sold.

Grant Haist also has no commercial enterprises at this time AFAIK, except for his book. He is the ultimate source of some of this information, as is my own research work on bleaches and fixes at Eastman Kodak. Bill Troop's interest in TF-4 is well known.

During design work at EK, both Grant and I remember that it was suggested that we avoid TEA in fixers. I don't remember the reason, and neither does Grant, but he remembers it came from Eaton as I said above. Kodak sold several alkaline fixers and they were all buffered with carbonate or borate. These fixers were initially designed by Eaton and Edens IIRC.

PE
 

Alex Hawley

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Questions about usage I'm happy to answer all day, and I'd be delighted to see more independent feedback posted here.

I recently started using both TF-4 and Clearfix. I came upon the Clearfix from an offer from Silvergrain to try a free bottle. (Thank you Jon.) Previously, I had used Ilford Rapid Fix for several years.

I don't have any chemical testing equipment other than some silver nitrate to test for residual hypo. Both TF-4 and Clearfix are giving me slightly better residual hypo results than Ilford Rapid Fix, all other things being kept the same such as wash time and hypo clearing treatment.

This is not to say that Ilford is not a good fixer. It works very well. Using it on double-weight fiber paper, my residual hypo test would show just a very slight stain. Using TF-4 or Clearfix, I get no stain. This means I may be able to reduce my washing time a bit.

The other marketed advantage of TF-4 is that it requires no hypo clearing treatment. This is not a big deal to me as it only saves 10 minutes or so of processing time. I'm still not fully convinced that a hypo clearing treatment is not necessary. Someone will have to provide some technical evidence that I cannot attain before I completely buy off on that idea.

I have not tried using TF-4 going straight from the acid stop bath to the fixer. I've been squeemish about that because of the product's use instructions, but based on the comments in this thread, I'll give it a try.

I cannot see any visual difference in my prints between using the three fixers. Either of the three is good to use IMO. I suppose trying to decide which one is best to use is like trying to decide on developers; it gets to be pretty subjective.
 

Photo Engineer

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I would like to comment further on image stability as it relates to fixers.

I have found that the tests for retained hypo and retained silver can be interfered with by other ingredients in the fix. In testing the SuperFix with thiocyanate and thiourea, both ingredients can give different readings than with plain hypo due to having different complexation constants with silver. Not better or worse, just different. It becomes harder to evaluate the level of retained fixer or retained silver with different (new) ingredients in the fix. It therefore becomes more difficult to judge the effects of wash time.

Testing the SuperFix with iodide for exhaustion also behaves differently than a plain hypo fix.

Also, since fixes and wash aids are the last steps in the process, they have been shown to influence image stability. For example, varying amounts of retained hypo influence image stability. Too little makes it worse, just enough makes it better, and too much makes it worse (cf Ctein). Use of thiocyanate (Agfa Sistan) makes it slightly better.

Therefore, when a fix or wash aid contains a new ingredient, the question immediately comes to my mind, "What did the image stability tests look like?".

This was my fundamental question, and I come back to the thiourea and thiocyanate in the SuperFix. They are known to improve image stability so no harm should accrue from their use. Even so, I plan on doing image stability tests with it to insure that fact. But, at the same time, having had years of experience with both of them in fixes, I feel comfortable with their use in the SuperFix.

TEA in a fix or post fix wash aid is entirely new as noted above.

That is the basis of my question. If I were to design a fix for sale, I would run image stability tests. Were they run with these new products? IDK, I just ask the question.

In a side note to Alex and others, TF-4 is highly buffered, and in my tests worked very well when used with a stop bath. Clayton fixers (concentrate in unopened bottles) don't have a very robust shelf life. Kodak fixer and TF-4 have similar shelf lives in the concentrate with TF-4 better, mixed, TF-4 lasts a bit longer as well. This is a pH effect that is well known. The hypo decomposes more rapidly at lower pH.

PE
 

reub2000

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For example, varying amounts of retained hypo influence image stability. Too little makes it worse, just enough makes it better, and too much makes it worse (cf Ctein). Use of thiocyanate (Agfa Sistan) makes it slightly better.
I haphazardly washing my film and paper, often leaving it under running water for longer than the recommended wash time, but never shorter. Is this a bad idea?
 

Digitaltruth

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Hi Ron,

I think your comments are completely fair, and it is clearly healthy to have a debate about the potential effects of different ingredients. So little research is now going into traditional photo chemistry, that further developments can only be a good thing.

I do not know the exact composition of TF-4 or Ilford's fixers, but I would always recommend the use of tongs or rubber gloves with any photographic chemicals, including Silvergrain. Of course, many people prefer to use their hands, but it really is best avoided.

The concentration of TEA in Clearfix Alkaline is extremely low. Low concentrations of TEA are found in developers and are used regularly in many everyday cosmetic products, including face and hand creams. If you can rub this amount of TEA on your face, then no special precautions are required. Having said that, I'm definitely not suggesting that anyone rub fixer on their body as an experiment :smile:

While I understand your point that TEA is a "new" ingredient to use in a fixer, I am unaware of any scientific reason to believe it would have an adverse affect on stability. I'm not an expert in photo chemistry, but wouldn't it be equally fair to speculate that TEA might improve image stability? Silvergrain products have been subjected to very rigorous testing; however, because our testing is in-house, it can never carry the weight of a truly independent test carried out by an organization such as IPI. The same is true of TF-4, Ilford Rapid Fix etc...

My scientific knowledge is limited, but I'm sure if you wrote to Ryuji directly he would be able to carry on the discussion.
 

Digitaltruth

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I haphazardly washing my film and paper, often leaving it under running water for longer than the recommended wash time, but never shorter. Is this a bad idea?

I'm sure someone else can provide a better technical explanation, but it is best to follow the manufacturer's instructions in terms of washing times. My understanding is that overwashing can potentially reduce image permanence, although it is a common practice and probably presents less risk than many other aspects of the processing sequence.
 

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I haphazardly washing my film and paper, often leaving it under running water for longer than the recommended wash time, but never shorter. Is this a bad idea?

Please read the article by Ctein. His work and the work of others believe you can overwash prints.

PE
 

Photo Engineer

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Hi Ron,

I think your comments are completely fair, and it is clearly healthy to have a debate about the potential effects of different ingredients. So little research is now going into traditional photo chemistry, that further developments can only be a good thing.

I do not know the exact composition of TF-4 or Ilford's fixers, but I would always recommend the use of tongs or rubber gloves with any photographic chemicals, including Silvergrain. Of course, many people prefer to use their hands, but it really is best avoided.

The concentration of TEA in Clearfix Alkaline is extremely low. Low concentrations of TEA are found in developers and are used regularly in many everyday cosmetic products, including face and hand creams. If you can rub this amount of TEA on your face, then no special precautions are required. Having said that, I'm definitely not suggesting that anyone rub fixer on their body as an experiment :smile:

While I understand your point that TEA is a "new" ingredient to use in a fixer, I am unaware of any scientific reason to believe it would have an adverse affect on stability. I'm not an expert in photo chemistry, but wouldn't it be equally fair to speculate that TEA might improve image stability? Silvergrain products have been subjected to very rigorous testing; however, because our testing is in-house, it can never carry the weight of a truly independent test carried out by an organization such as IPI. The same is true of TF-4, Ilford Rapid Fix etc...

My scientific knowledge is limited, but I'm sure if you wrote to Ryuji directly he would be able to carry on the discussion.


Jon;

Thank you.

You are right, of course, as image stability could go either way.

But, IMHO, I believe that there is some need for some sort of test if you add a new chemical.

I have a list of chemcials known to have no effect on silver metal or image dye stability, and a list of chemicals that do have an effect. This includes positive and negative effects and includes heat, light and humidity. TEA is not either list.

That is my only point. It is unknown territory. This includes use in a fix and in a wash aid.

The last comprehensive test I have seen in general publication was by Beveridge of Ilford. It was done in the 80s. Most recent work is on color, both analog and digital. My discussions with Henry Wilhelm this last spring and with Jon Kapecki at the ICIS short course hardly touched on the subject of B&W. In most of the industry, this is a dead subject. So, when something entirely new comes along, there is really nowhere to turn due to lack of interest, except to the manufacturer.

PE
 

dancqu

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TEA ... used regularly in many everyday cosmetic
products, including face and hand creams.

I recall having read that. IIRC it's use is as a ph modifier.
I'm sure Ryuji would not have included TEA had he
thought it of any potential harm. I'm quite sure
Mr. Gainer would concure. Dan
 

Photo Engineer

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I have never heard of a problem using TEA in a developer, nor am I against using TEA in a developer. I use TEA developers myself.

My comments above are regarding use in the final step(s) of the process where some can be retained in the coating after processing and may therefore influence image stabiilty. If, as Tom says above, it is present in the wash aid, this is of particular concern.

As I said, I have no idea what it does one way or another. I think it should be tested.

PE
 

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Is the PH more alkaline than Ilford's Rapid Fix? Does anyone have any comments on using this new fix with a water stop in a community darkroom environment?

Sorry for my delayed response. I was busy with traveling, flu, and all sorts of things... (well, at least, it wasn't because I was playing with my digital SLR or anything :smile:

The pH of Clearfix is more alkaline than Ilford Rapid Fix. The pH of Clearfix and TF-4 are same.

I initially designed Clearfix for my own use in a small darkroom, but an additional advantage of Clearfix over other acid as well as another alkaline fix on the market is that it is more easily processed to recover silver and then disposed, when the waste chemical is sent to the disposal company.


When products are used properly, alkanolamine (e.g. triethanolamine) residue is not detected using standard technique (there is a Karl Fischer titration procedure for alkanolamines) in the processed material, period. These are compounds that are relatively harmless and extremely easily washed off by water.

In terms of other user's experience, I've personally never heard of anything negative, and I think most people on APUG and other sites are individual users or people managing relatively small school/community darkrooms. Jon at Digitaltruth has collected some data of customer feedback particularly from large scale users like art schools, government labs and commercial lab's darkrooms, so you might want to contact him directly. (I'm happy to discuss technical matters but for general questions Jon is probably faster to respond. Plus, he is the one who knows about other users very well.)
 

Kirk Keyes

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When products are used properly, alkanolamine (e.g. triethanolamine) residue is not detected using standard technique (there is a Karl Fischer titration procedure for alkanolamines) in the processed material, period.

Ryuji -

For the first several years when I first became a chemist, I did hundreds of Karl Fischer titrations on lube oils and fuels to measure the water content. I was wondering if you could explain how the KF titration can be adapted to testing for TEA?

Normally, KF reagent contains sulfur dioxide and iodine dissolved into a solvent - methanol. Pyridine is added as a pH buffer. (KF titrant has a very distinctive color (red-yellow) and smell (stinky!)). But this test is normally used to measure water in non-aqueous solutions/materials, where water in the sample reacts with the SO2 to form sulfuric acid while the iodine reacts with the base (the pyridine). The end-point is determined coloumetrically with a double platinum electrode and the titration is timed to determine a stable endpoint.

With film, I can see adding dried or even desiccated film (so there is no water) and then placing that into the KF titration flask (which is sealed from the atmosphere to elimintate water from the air getting into the reaction). But then how would you measure TEA this way. Since there is a large excess of pyridine in the KF titrant, you would not be able to see any extra TEA added with the film. I suppose you could formulate a KF solution that did not have the pyridine or other base so that any TEA from the film would take part in the titration reaction.

So how does this work?

Kirk
 

billtroop

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TEA in cosmetics and photographic processing

"Low concentrations of TEA are found in developers and are used regularly in many everyday cosmetic products, including face and hand creams. If you can rub this amount of TEA on your face, then no special precautions are required. Having said that, I'm definitely not suggesting that anyone rub fixer on their body as an experiment."

Jon, the presence of TEA in cosmetics has been of concern to the industry and to regulatory authorities since the 1970s. For a non-technical, non-hysterical review, see

http://lpi.oregonstate.edu/f-w00/nitrosamine.html

It is hoped that TEA is today only used in combination with anti-oxidant agents fairly recently observed to prevent nitrosamine formation. There is no reason to use it in cosmetics other than many decades of experience, extremely low cost, and its strong detergent (for a cosmetic) capabilities (when used to in a system to emulsify mineral oil, it is particularly effective in removing makeup pigment from skin; there are numerous safer and more effective systems to achieve the same results but they do require a small amount of care to discover).

Prudent cosmetic chemists have eschewed any alkanolamine use for 20 years, and the photographic industry has always treated it with caution. Clearly, the story on its potential interactions with other chemicals, and on human health, is still evolving. As Scanlan points out, reliable techniques to measure nitrosamine levels in food only began to emerge in the 1970s, and the issue is still polarizing.

Nitrosating effects are only one area of concern with this chemical. TEA is generally believed to be a safe alkali in film developers, and it has been used commercially for this purpose in proprietary developers since the 1960s, by Kodak.

Nobody has any idea how it behaves in fixing baths and wash aids. Did anyone know, just to give a simple example, that borax was a mild fixer accelerator, until the 1960s, three decades after it had been introduced (by Harold Russell) to prevent alum sludging problems in hardening fixers? It took three decades to figure that one out, and it was never published as such, the discovery only being implied in patents (some of them Ron Mowrey's) from the period.

Reilly et al.'s 1988 non-technical paper on the stability of black and white images,

http://palimpsest.stanford.edu/byorg/abbey/an/an12/an12-5/an12-507.html

shows how imperfect the state of knowledge still was in 1988 and, again, how it was (and is) continuously (but now extremely slowly) evolving.

Having lived through all the uncertainty in the cosmetic industry with TEA, I always approach this chemical with caution. Everyone I have discussed it with at Kodak had reservations about using it in post-development processing, but no published information is available.

TEA in fixing solutions and wash aids is novel, and unsupported by industry practice and research. Its effect may be advantageous, neutral, or deleterious. As was the case with microfilm, it could take decades to discover unsuspected problems, or benefits.

What then is the prudent course for photographic chemists and users to take? What are the benefits that we achieve from using TEA that weigh against the risks? What is it giving you? What is it taking away?

There are no neutral chemicals in photography -- not even water. When a new chemical is used in a photographic solution, I want to see a rigorous justification for its use, backed by impeccable, published research.
 

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Kirk, now I think I was confused with something else. I need to check with my notebook. I didn't mean Kjeldahl titration, which would also detect other nitrogen sources and also too involved for the goal of this test. Let me try to recall...

Although I appreciate the analytical aspect of this agent, let me repeat that ethanolamines are alcohols and amines and therefore very readily washed by water. Also, one issue in using broad test for nitrogen compound is that there are many amines and other nitrogen sources in photographic materials besidea alkanolamines in question. Gelatin, many emulsion additives (antifoggants, stabilizers, crystal growth modifiers, ripening agents, crystal habit modifiers used in some tabular grain emulsions), some binder additives (non-gelatin polymers), developing agents such as Metol, phenidone and amidol, chelating agents such as EDTA and NTA (extensively used in washing aid), and ammonium ion from rapid fixers (a LOT of them) are all potential sources. Some surfactants are made from alkanolamines. Well, if you look at this fact, there is no good reason to suspect alkanolamines having any detrimental effect to the image, binder or support...

I've tested pyridine, its derivatives and other heterocyclic nitrogen compounds for various reasons from additives to emulsions to processing chemicals. So I'm familiar with pyridines and I understand it is hard to detect ethanolamines in presence of significant amount of such agents.
 

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Jon, the presence of TEA in cosmetics has been of concern to the industry and to regulatory authorities since the 1970s. For a non-technical, non-hysterical review, see

http://lpi.oregonstate.edu/f-w00/nitrosamine.html

Discussion in the above link is irrelevant to the issue of this thread and your contention doesn't hold. The reasons are:

(1) the above link is talking about nitrosamines, reaction products of primary and secondary amines and nitrites. Tertiary amines (triethanolamine is a tertiary amine) do not engage in this reaction. Also, nitrites are not used in photographic chemicals and there is no nitrosamine-forming reaction even if some secondary or primary amines are used in photographic solution.

(2) alkanolamines are widely used in photography. Among familar b&w products, Kodak HC-110 and Ilford Ilfotec HC developers use monoethanolamine and diethanolamine, primary and secondary amines, respectively. They are fully capable of engaging in nitrosamine-forming reactions, but there is no concern in this regard because there is no nitrites.

(3) many developing agents derived from aminophenol or amidol are amines and they are capable of nitrosamine formation. Your favorite Eikonogen is an amine capable of nitrosating reaction. (But again, in photographic processing solutions nitrosamines aren't formed since nitrites are not used).

In terms of post development treatment, many commercial fixers and washing aids contain amines of other forms. EDTA, NTA, DTPA and other agents are very common in commercial fixers and washing aids. Similar polyamine compounds are used in bleach in color processing. In particular, without such agents, washing aids are prone to leave scum or stain on processed film and this is not acceptable. There are other examples of amine compounds used in final baths: biocides, surfactants, and some image stabilizing agents (such as ones researched and used by Fuji). After all, lots of amines are present in photographic gelatin and sizing material. (Yes, in the gelatin molecules themselves, not in the additives.)

When discussing the impact to image permanence, what should be considered is potential degradation reaction in various conditions (such as presence of UV light or other environmental pollutants), and how each of the reaction products can damage silver image, binder or the support. Alkanolamines are pretty stable compounds that are used in many products that require high degree of permanence, such as inks and adhesives (including starch glues). This is a completely different story from use of potentially unstable compounds, many of them contain weaker bonds that can be broken by various factors. Thiourea is one example.

But all these things are actually irrelevant, as far as the safety and image stability of Clearfix and Clearwash are concerned, since alkanolamines are very easy to wash out completely by water rinse customary used in photographic processing. Indeed, saying it is ok to use amines in developers because they are easily washed out but not ok in fix or washing aid because they can't be washed out is completely nonscientific and inconsistent.
 
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Digitaltruth

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TEA in fixing solutions and wash aids is novel, and unsupported by industry practice and research. Its effect may be advantageous, neutral, or deleterious.

Bill,

As you know, a lot of research went into Silvergrain.

I'm no expert, but what wouldn't be capable of having an "advantageous, neutral or deleterious effect"? Isn't that the entire gamut of chemistry? For me, innovation is a good thing. People who aren't interested in innovation probably aren't reading this thread.

Almost all commercial photo chemicals use proprietary formulas, so we cannot have any certainty as to the actual ingredients. As your own TF-4 formula is a secret, I don't know what is in it so I have no way of judging any harmful effects (I am not suggesting that there are any).

The fact is that small amounts of undocumented compounds might be in many commercial chemicals. Although you may assure me that the ingredients of TF-4 are proven to be safe, I have no way to verify this. Equally, other fixers or washing aids may contain ingredients which we are unaware of. For example, when I look at the MSDS for Permawash, some of the ingredients are listed as a "Trade Secret". Is there a compound which isn't routinely used by Kodak in it? We don't know, but this has not stopped millions of people from putting their prints and negatives into the solution.

Most trust that the research that has gone into products is valid. Anyone who is uncomfortable doing so should mix his or her own chemicals from scratch.
 

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Well, I must point out that the nitrogen in triethanol amine is quite alkaline and easy to protonate. This is what makes it a strong base. EDTA or the oxidized derivative of triethanol amine, nitrilotriacetic acid, act as if there were 4 and 3 acid groups respectively. In other words, the nitrogens are behaving entirely differently.

In fact, all of these amines have an electron pair available to complex with something. It is just that TEA is basic and forms salts directly, while EDTA and NTA are both complexing agents for metals. TEA could form complexes, and AAMOF slows down fixing rate when compared to solutions without TEA. So, this simple fact shows that TEA has some effect on the fixing reaction.

Therefore it is not correct to compare them for activity or use in fixers and wash aids.

In addition, it has been proven in color films that these compounds have no effect on the COLOR image. No tests have been run on silver images with TEA in fixers and wash aids. No tests of silver images have been run beyond the level of EDTA or NTA needed in a fix bath to prevent sludge, which is extrememly low compared to the amount of TEA needed to buffer a solution.

As for use in developers, it has been shown that the TEA washes out in the post development wash, or stop bath and then the removal continues during the fix and subsequent wash.

Now, removal by a wash of TEA used in a fix bath may be sufficient, and removal by a rinse of TEA used in a wash aid may be sufficient. The problem is that no one knows.

Kodak avoided use of TEA in fix baths. This is all I know. It was cleared for use in developers, but no where else. I got this from Haist and Stephen. Neither Grant nor I can remember a reason. Unfortunately, Keith is no longer with us, so I have no other Fix experts to discuss this with.

As for nitrosamines, some amines can form nitroso compounds directly from aerial oxidation and others from the presence of nitrites. TEA contains up to 20% DEA (Diethanol Amine) which does form nitrosamines. Gelatin does not undergo this reaction, it does undergo formation of the diazonium salt in the presence of nitrites, which then forms the hydroxy acid by reaacting with water. This reaction is practically absent in all gelatins. It just does not happen unless you force it chemically. Even aerial oxidation does not cause it. It happens in some preserved foods which contain nitrites and meat when the product is cooked.

I guess to me, the bottom line is that years of research have been done by many many companies and by many researchers within those companies to prove that there is no bad effect of TEA when used in developers, but the use of TEA in fixers and wash aids is unknown in its effects. Only time will tell.

I have several fix formulas that would be ready for sale, but I have refrained from general use as I have not tested the stability of the images to my satisfaction. They do contain chemicals that are on Kodak's approved list for image stability though, so I would assume that they are satisfactory.

PE
 

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Now, removal by a wash of TEA used in a fix bath may be sufficient, and removal by a rinse of TEA used in a wash aid may be sufficient. The problem is that no one knows.
PE

There are no absolutes in life.

Maybe we should shift the emphasis of this thread to the fact that Clearfix Alkaline has a far superior buffering system to TF-4 and is much safer to use and less toxic to the environment. Do you want me to say more?

Ryuji Suzuki is widely respected for his research and I don't believe that there is a more knowledgeable or innovative photo chemist in the world today. Ryuji developed the Silvergrain formulas to take photo chemistry forward both in terms of environmental impact, and image quality. I think that the vast majority of people working in traditional darkrooms today want exactly this kind of product development.

Your suggestions make it sound like there is some kind of risk in using Clearfix, and that is just plain absurd. All you are saying is that there is no proof that TEA in fixer has no effect on the print. So what? There is nothing in what you have written which suggests that it would affect the print. Your best argument is that someone at Kodak might have once thought it was a bad idea. Well, that guy was wrong. Where's his research? Ryuji has already explained the rationale for not being concerned by its use, so what is your real purpose in continuing to cast aspersions on our product? Is this part of a campaign to promote your own products, or are you just unhappy that Kodak are no longer leading the field in photo chemistry?

There is absolutely no evidence you are presenting to warrant any further dialog about the use of TEA in fixer. Your points have already been noted, so let's move on.

There are a lot of bad things I could have said about rival products in this thread, but I haven't done so. I won't respond to any further industrial malingering as I wish to avoid negative campaigning.

I sincerely believe that Clearfix Alkaline is the best fixer on the market today and our research fully supports this claim.
 

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Jon;

It has been shown time and again that the fix step is critical in B&W image stability. Over the last 50+ years, fixers have contained pretty much the same ingredients, and as those ingredients were introduced, they were vetted for their influence on image stability.

Clearfix introduces a new chemical to the fixing pantheon of ingredients. Since all other new ingredients were vetted by companies such as Kodak, Ilford, Fuji, and Agfa and backed by copious image stability tests, I merely pose the conundrum that the effects on silver image stability of this chemical are unknown but the fixer seems to work well. This statement of mine is neutral or slightly positive. Until proven one way or another, we have no evidence either good nor bad regarding silver image stability. When people suggested that we avoid TEA in fixers at EK, it may have simply been due to the fact that it was unknown, and would have entailed a large set of costly stability tests to prove its worth.

The same can be said about the effectiveness and silver image stability of the wash aid.

So, I can validly ask the question, "what testing was done on image stability"? I don't mind if none was done, it merely leaves the question unaswered. There may be no effect.

There is no effect if TEA is used in a developer, as that has been tested. But then, as I implied above, no developer ingredient has ever been shown to have a significant effect on B&W silver image stability, just fix and wash aid ingredients.

With my background and experience, including work on image stability and fixation, am I not entitled to a having a valid opinion as well?

Remember, this is an opinion stating "we don't know". I see no evidence to dispute that opinion and would welcome any evidence either way. If TEA is proven to have no effect, by valid tests, then I will add it to my personal approved list. This would include accelerated tests involving light, heat and humidity.

PE
 

Digitaltruth

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Ron,

Accelerated age tests were performed on the products by Ryuji Suzuki.

As I said in one of my earlier posts, this kind of in-house testing would not be sufficient to provide you with the proof offered by independent tests, which is why it is routinely not published. Even if independent tests were performed, these could still be called into question, hence the reason no one ever goes to this expense. If a large and wealthy corporation such as Kodak is unwilling to pay for tests to be performed on TEA, then clearly you are asking for the impossible.

You mention Agfa in your list of companies that vetted new ingredients, and yet I am unaware of any data Agfa published to sustain its claim that Sistan would improve image stability. Equally, as Permawash includes a trade secret ingredient, how do I know how it affects image stability? What other processing or environmental factors found in a typical darkroom affect image stability, and how can these risks be fully quantified?

There is no compelling reason to believe that TEA would have any negative impact on image stability and our tests completely support this assertion. If you want to take the approach that only ingredients which have been used for 50+ years can be deemed to be 100% reliable, that is your choice. You suggest that the point will only be proved by "valid tests." Please tell me exactly what tests performed by which company you would accept to be valid and I will write to them to assertain the cost of having the tests performed. If you are willing to pay for half of the cost, then I'll happily pay for the other half ;-)

I appreciate your positive remarks about the performance of Clearfix Alkaline, but wonder why you haven't provided more information about your experience. Compared to other fixers, you should have been to verify that Clearfix Alkaline is superior in all of the ways that we claim. What tests did you perform?

I would welcome you publishing all of your results in full in this forum.
 

Photo Engineer

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Jon;

I am currently involved full time in emulsion work and in developing developers, no pun intended. I am only testing fixers of my own formulation at this point, not making comparisons.

I understood you comment on accelerated age tests to refer to the concentrate, not the final images.

PE
 

Ryuji

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Accelerated age tests were performed on the products by Ryuji Suzuki.
[...]
There is no compelling reason to believe that TEA would have any negative impact on image stability and our tests completely support this assertion.

Exactly. I've tested TEA, other alkanolamines (primary, secondary, tertiary and also N-substituted variants) in a very wide range of conditions from emulsion ingredient, developer ingredient, fixer accelerator/buffer, washing aid accelerator/buffer, and image protecting final rinse. Some of the tests used final rinse bath containing up to 1000ppm of alkanolamines (WAY higher than what's expected from inadequately washed material processed in Clearfix and Clearwash) and they were subjected to accelerated aging test. I've posted this a long time ago in the thread of Ag Guard substitute. Solutions containing alkanolamines and another agent (candidate compounds for active image protecting agent) were tested but of course a blank sample (treated with the vehicle solution without any active ingredient) was tested together in the same acceleration vessel. The fixer was my neutral rapid fixer, a fixer with published formula, containing no alkanolamines.

Alkanolamines have antioxidant functions but because my test condition is so severe there is no difference with or without alkanolamine at that level. That is, in my tests, there is no detrimental effect of alkanolamine residues at a concentration much higher than what's expected from inadequate washing. Plus, as I said before, there won't be any detectable level of alkanolamines in properly processed material. This undermines any criticisms arguing potentially detrimental effect of alkanolamines in fixer or washing aid.

I don't understand why this thread continues on such a clear non-issue. So far no one has raised any valid question as to any detrimental effect of alkanolamines. All it did was to increase the number of access to my silvergrain.org website referred from this thread (and that's how I noticed that this discussion was going on) and number of emails from former TF-4 users right after my posting here.

If you want to take the approach that only ingredients which have been used for 50+ years can be deemed to be 100% reliable, that is your choice. You suggest that the point will only be proved by "valid tests." Please tell me exactly what tests performed by which company you would accept to be valid and I will write to them to assertain the cost of having the tests performed. If you are willing to pay for half of the cost, then I'll happily pay for the other half ;-)
[...]
I would welcome you publishing all of your results in full in this forum.
Well, if someone requests such a test from genuinely scientific concern and good intention, I suppose they will have their products tested together by a third party with no political or commercial bias and publish the results. And maybe you should consider more widely read journals and magazines not APUG to publish such results. Based on my own tests, I know how my formulae compare with other major competitors in each product category, so I'm not concerned.

When people suggested that we avoid TEA in fixers at EK, it may have simply been due to the fact that it was unknown, and would have entailed a large set of costly stability tests to prove its worth.

As far as I know, all fixer products Kodak offered in the past and present, including fix for color paper and films, are adjusted to acidic pH. The highest pH fixers are the ones for color materials but still below 7. In such formulae, triethanolamine offers no useful effect. Also, triethanolamine has no buffering capacity or fixing accelerating effect in such a low pH range. Most other alkanolamines are stronger base than triethanolamine and they would be even more useless in acid fixers. It is obvious Kodak never had any reason to use alkanolamines in fixers.

It is the ALKALINE FIXRES that can benefit from use of alkanolamines. For the pH of 7 to 8, where Clearfix and TF-4 operate, alkanolamine is a superior buffer than borax, requiring much less chemical, and also offering better biodegradability and much lower plant toxicity. A 100ppm of borate is a rough guideline of how little borate can be tolerated in water for plants. About 200x this amount of borate is in TF-4 working solution while none is in Clearfix.

So, I can validly ask the question, "what testing was done on image stability"? I don't mind if none was done, it merely leaves the question unaswered. There may be no effect.
I've posted these in other threads on image permanence, toning, etc. All tests were done with Clearfix and Clearwash as a part of the standard processing line, but some tests included specimen prepared with the fixer and washing aid formula published in APUG's formula section. Neither of the published formulae use alkanolamines. There is no difference between the types of fixers and washing aids. Test was sensitive enough to detect the concentration-dependent effects of residual thiosulfate, and other variables that I was mainly interested. Effect of toning, for example, is a really huge one and was unmistakably detected.

There is no effect if TEA is used in a developer, as that has been tested. But then, as I implied above, no developer ingredient has ever been shown to have a significant effect on B&W silver image stability, just fix and wash aid ingredients.
This is not true. In relatively recent studies by Konica scientists showed that the kind of antifoggants in the developer (as well as the emulsion) can influence the durability of image silver. However, such a technique is not very commonly used in commercial products because such image-protecting agents in developer can impair the fixing efficiency and this can lead to a bigger problem.

As for nitrosamines, some amines can form nitroso compounds directly from aerial oxidation and others from the presence of nitrites.
If you did the homework to find this out, you should also know that these reactions occur in acidic pH, fastest around pH of 3. pH of 3 is very common for food and beverages, but not in Clearfix and Clearwash.

Also, there are a number of agents that are known to inhibit nitrosamine formation by scavenging nitrites or other mechanisms. The most famous of these are ascorbic acid, erythrobic acid, and so forth. Many reducing as well as oxidizing agents can inhibit the reaction.

TEA contains up to 20% DEA (Diethanol Amine) which does form nitrosamines.
Maybe your source of TEA contains 20% DEA but not mine. In the past DEA-contaminated TEA was common for cheap technical grade stock. Now DEA is deliberately added to some technical grade TEA for some special purposes such as "low freezing" applications. This can be a problem if you buy chemicals from cheap surplus stocks.

In reality, I only use 99+ % pure triethanolamine with certificate of analysis from the manufacturer. Mine is made by Dow and I got it in Dow's original packaging. I also specify the same spec TEA in the production formulae I sent to the chemical plant where Silvergrain products are manufactured, and the industrial chemist there called me before buying his chemicals to confirm if he needed to spend extra money for that. I told him that it doesn't have to be Dow but it has to be just as good as mine. (Remember, I make my exhibition quality prints using my products from Digitaltruth and there is no reason to have inferior products for my own use.) According to the certificate of analysis from Dow, much of the 1% impurity is water.

It just does not happen unless you force it chemically. Even aerial oxidation does not cause it.
This is exactly the same in nitrosating alkanolamines. In silvergrain products, it doesn't happen unless you artificially and chemically force it to happen, and for that, you'll need to remove all ascorbates and much of sulfites, and then add a massive amount of strong acid to lower the pH to 3. In reality, this doesn't happen.

Again, the nitrosamine issue brought up by Bill Troop is way off the money and completely irrelevant.

Well, I must point out that the nitrogen in triethanol amine is quite alkaline and easy to protonate. This is what makes it a strong base. EDTA or the oxidized derivative of triethanol amine, nitrilotriacetic acid, act as if there were 4 and 3 acid groups respectively. In other words, the nitrogens are behaving entirely differently.
Now you are attacking alkanolamines are quite a bit stronger Lewis base than other amines and polyamines I named. Well, if that bothers you, what do you have to say about the ammonium ion which is massively present in all rapid fixers and some washing aids, such as Permawash? What about imidazoles commonly used as emulsion additives, and also used in many developers for machine processing?

In summary, I see there were 2 kinds of unfounded attacks from Ron Mowrey and Bill Troop against my Clearfix. (1) permanence is not proven. (2) nitrosamine formation is dangerous. In my past few posts here, I described sufficiently that both of these are non-issues. I'm not really interested in political discussion and I will leave this thread. If anyone has further scientific or technical questions, please contact me directly. If anyone has questions regarding product info, what other users say, etc., please contact Jon directly. In less than a year from its release, many people tried silvergrain chemicals and we also have several large scale institutional users. If there's any problems reported by users, large or small, Jon will know.
 

billtroop

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>Accelerated age tests were performed on the products by Ryuji Suzuki.

OK, so what were they and are they verifiable?

>If a large and wealthy corporation such as Kodak is unwilling to pay for tests to be performed on TEA, then clearly you are asking for the impossible.

I think the message that some have been trying to convey is that they did do the tests and chose not to publish them; in other words the results are a trade secret which could not properly be disclosed.

>You mention Agfa in your list of companies that vetted new ingredients, and yet I am unaware of any data Agfa published to sustain its claim that Sistan would improve image stability.

An interesting point, although the product seems to have been based on some very early research to which you may find a few inferential references in Clerc. There actually is some published material to back it up, though it is very old. That said, I would not use Sistan, and I suspect Fuji encountered some problems with its rival product. I wouldn't use that either. The chemical is not difficult to synthesize but nobody has thought it worthwhile using. One reason is the difficulty of proving that it works under a broad variety of uncontrolled working conditions.

>Equally, as Permawash includes a trade secret ingredient, how do I know how it affects image stability?

You don't know, and if you're prudent, you won't use it.

>What other processing or environmental factors found in a typical darkroom affect image stability, and how can these risks be fully quantified?

They never can be. A successful and long-lasting photographic print is always a kind of miracle.

>There is no compelling reason to believe that TEA would have any negative impact on image stability and our tests completely support this assertion.

I think that's a bit of an exaggeration. My opinion is that it is a questionable ingredient which should not be used absent compelling advantages, and I don't see that here.

>If you want to take the approach that only ingredients which have been used for 50+ years can be deemed to be 100% reliable, that is your choice. You suggest that the point will only be proved by "valid tests." Please tell me exactly what tests . . . . .

In the end, the only test that works is decades of experience with a product. Accelerated aging tests have often proved disappointing when it comes to the archival stability of silver images. And yes, when it comes to fixers and wash aids, I do want to be on the safe side.

>Compared to other fixers, you should have been to verify that Clearfix Alkaline is superior in all of the ways that we claim.

Only if it really is. Jon, I think you're asking a lot of Ron there. And where there's a point of contention between a chemist with 40 years of professional experience, and a grad student with none, who is the most likely to warrant our respect? Ron isn't one of the couple of dozen great first echelon figures at Kodak, but he is one of the few hundred select minds who comprised the formidable second echelon. We're lucky to have him.
 
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