Deleted member 88956
That's ONE attachment. The other is 1/5/10 degrees.The Ultra Spot and Ultra Spot II are true 1° spot meter. The Luna Pro F has a 30° standard angle of view and the spot attachment is 15°/7.5°. The SBC is likely the same.
That's ONE attachment. The other is 1/5/10 degrees.The Ultra Spot and Ultra Spot II are true 1° spot meter. The Luna Pro F has a 30° standard angle of view and the spot attachment is 15°/7.5°. The SBC is likely the same.
Haven't had the need to adjust it yet. I periodically check the Minolta against other hand-held and in-camera meters that I use more often and know to be accurate.
While the adjustment can be used for calibration if that becomes necessary, mine have never required such. I think most folks use that to align the calibration on several meters if they use more than one regularly. The idea there is that it is more important to be consistent than absolutely accurate.
Jim, I noticed the Spotmeter M has a provision to calibrate in the field+- 1EV ... have you noticed any drift that required use of that feature?
it does not "drift". That adjustment exists so that people who use several meters can adjust it to calibrate it to match their other meter. Actually, the Minolta Spot M and Spot F are probably the best choice you can select. They are one of the few spot meters which has a neural response to various colors. By comparison, the Pentax Digital is hands down the worst for that specification. What this means is that you can read several different color spots with the Pentax, all being of the same tone density, and get significantly different exposure recommendations, which is not a good thing.
I completely agree with your assessment of the Pentax. We tested about 7 meters several years ago and the Minolta was the most consistent, repeatable and accurate out of the box. It isn't clear what makes the Pentax meters so variable (+/- 1 stop at times) and non-linear but that is the case.
Actually, the Minolta Spot M and Spot F are probably the best choice you can select. They are one of the few spot meters which has a neural response to various colors. By comparison, the Pentax Digital is hands down the worst for that specification. What this means is that you can read several different color spots with the Pentax, all being of the same tone density, and get significantly different exposure recommendations, which is not a good thing.
To be fair since the past history of each meter is unknown, each meter must be calibrated before any testing is done and no conclusions can be drawn based on the condition of each meter as it was found.
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