Shooting People with Paper Negatives

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aaronmichael

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My older sister has been bugging me to take a pinhole photo of her lately. I've heard before that people don't come out very well when using paper negatives because it's not sensitive to red and most skin complexions have a degree of red in them. Just wondering whether it's worth the effort to take the shot.
 

tomalophicon

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My older sister has been bugging me to take a pinhole photo of her lately. I've heard before that people don't come out very well when using paper negatives because it's not sensitive to red and most skin complexions have a degree of red in them. Just wondering whether it's worth the effort to take the shot.

Oh yeah it's very much worth the effort.

Check out the gallery of the member here Gandolfi.
 

Rick A

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A word of caution when doing portraits with pinhole cams. The sense of perspective can be distorted and everything will be in focus, you will have to be extra careful of posing positions. Anything nearest the camera will be large and rapidly diminishes as it goes farther away from the camera.
 
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aaronmichael

aaronmichael

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A word of caution when doing portraits with pinhole cams. The sense of perspective can be distorted and everything will be in focus, you will have to be extra careful of posing positions. Anything nearest the camera will be large and rapidly diminishes as it goes farther away from the camera.

Thanks, I'll be sure to play close attention to what I place her in front of.
 

Rick A

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Be careful how you pose her as well, you never want to hear"why does my ___ look huge in this photo" You fill in the blank.
 

Joe VanCleave

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If you want the portrait to be more flattering, you may want the subject to apply some white powder makeup to their face, in order to compensate for the paper's relative lack of sensitivity to the long wavelengths. This was where the use of white pancake makeup first became popular, due to the early motion picture film being orthochromatic or actinic in sensitivity.

Alternatively, you can try a slight bit of over-exposure on the skin tones, but be careful, as it's easy to blow out the highlights, especially with shiny, oily skin. Another reason to use makeup.

~Joe
 
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aaronmichael

aaronmichael

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If you want the portrait to be more flattering, you may want the subject to apply some white powder makeup to their face, in order to compensate for the paper's relative lack of sensitivity to the long wavelengths. This was where the use of white pancake makeup first became popular, due to the early motion picture film being orthochromatic or actinic in sensitivity.

Alternatively, you can try a slight bit of over-exposure on the skin tones, but be careful, as it's easy to blow out the highlights, especially with shiny, oily skin. Another reason to use makeup.

~Joe

Thanks Joe, interesting solution. If we're out in public then I don't know how keen she'll be on having white powder makeup on her face but we'll see what happens. I'll try to remember to post the final image after it's taken.
 

removed account4

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my suggestion probably isn't the best for pinhole work
but low / flat light often times is best for paper negatives
whether you are making portraits or doing other things.

have fun !
john
 
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aaronmichael

aaronmichael

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my suggestion probably isn't the best for pinhole work
but low / flat light often times is best for paper negatives
whether you are making portraits or doing other things.

have fun !
john

Definitely agree. I've been shooting paper negatives with pinhole cameras for about 4 months now and have found out that the best way to control the contrast is simply shooting in low contrast areas or shooting on a day where it's overcast.
 
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