Roger Hicks
Member
If you look at the galleries at www.rogerandfrances.com, there is a new gallery of pictures of the Barge Museum at Faversham in the UK. These were all taken with a 50/1.5 Nokton with a weak (2x) B+W yellow filter; the hand-held camera was a Bessa-R. The film was Paterson Acupan 200, rebranded Fomapan 200, developed in Paterson developer and printed on Ilford Multigrade Warmtone.
Obviously you can't tell it from a screen image 550 pixels high, but the sharpness is remarkable: in most of the original prints you can easily distinguish the strands (not the fibres!) of the ropes in the rigging.
I post this principally to point out that RF cameras can perfectly well be used in good light -- they are not just low-light cameras -- and that sharpness is more than adequate with almost any good-quality lens when they are; the exposures were typically 1/250 at f/5.6 and f/8. This is generous, and gives slightly less sharpness than if I had cut exposure to the bone, but I much prefer the tonality -- another argument that sharpness isn't everything.
Cheers,
Roger
Obviously you can't tell it from a screen image 550 pixels high, but the sharpness is remarkable: in most of the original prints you can easily distinguish the strands (not the fibres!) of the ropes in the rigging.
I post this principally to point out that RF cameras can perfectly well be used in good light -- they are not just low-light cameras -- and that sharpness is more than adequate with almost any good-quality lens when they are; the exposures were typically 1/250 at f/5.6 and f/8. This is generous, and gives slightly less sharpness than if I had cut exposure to the bone, but I much prefer the tonality -- another argument that sharpness isn't everything.
Cheers,
Roger