I totally agree about the Ultrafine junk, but the newer 2016 expiration date stuff is as good as anything. The backing paper/masking tape could be improved upon, but I can live with it. Also, I don't think it has as efficient a annihilation layer as say Kodak films, but I rather like the looks of it that way and it seems to glow more in the highlights. It worked just great in Rodinal 1:100 1 hour stand developed, but was fantastic in WD2H+ pyro. I am away from home at my lake cottage and will scan the GP3 negs from WD2H+ pyro when I return home and post the results. I think it's a darn good film for the money and I wouldn't be afraid to use it on something much more important than a stupid camera test either. JohnW
Oh, I agree, JW . . . the older roll I developed looks excellent, and I won't hesitate to use it at anytime . . . my post above was a bit clumsily worded and didn't quite say what I was wanting to say. I couldn't edit because it was past time when I re-read it.
Actually, camera testing is the most important use for film I have - I'm an avid collector. I think Shanghai's a great idea for this because it doesn't cost that much. If the new stuff's as good as you say, I'm sure it'll get more "exposure" than that. I will try it 1:100 in the Rodinal . . . . i've never stand developed before and that's something I'll have to try. And in a camera test, I think it's important to use good film. And Shanghai is a good film - that's why I ordered 20 rolls. As a new pensioner, I will always try to save a few bucks when I can.
I want to try the new stuff in both my C330, and the 6x7 back on my Linhof, before I commit to using it as a standard in these cameras, my users. I try to use as many Kodak and Ilford products as possible, because they are part of my heritage and I'd like to do my part in keeping them around . . . I've mentioned before I'm not partial to FP4 but use HP5 in bucketloads, and I'm still struggling with the replacement for Plus X. I used Plus X in medium format especially if I was planning enlargements 8x10 and up. I wanted that extra two stops for handholding whenever possible so I mostly use HP5 for general use.
By the way, a few years ago when I bought the older Shanghai, I seem to remember that it was also available in 35mm. Was it, or is that my imagination? You might be interested to know that in 35mm, I've settled on Arista 100 Edu as my replacement for PlusX - I have printed that film, and I really like it. It's quite close to Plus X, I think, especially developed in D76 1:1. Probably the best replacement for Verichrome Pan available. I tried to like FP4 and TMax 100 better but didn't. I'll use TMax only if I want to make an 11x14 from a 35mm - not a likely scenario. It will be my go-to, though, in half frame.
I'm really going to be interested in printing the old Shanghai, hopefully this weekend. I'll let you know as soon as I do.