I still own a F6, a camera that I can’t bond with at all.
Just goes to show how supreme the F5 is (except for the non-illuminated AF squares).
A couple of months back, I traded my F6 for a Hasselblad C/M. I just never warmed up to the F6. Last month, I got a screaming deal on a F5. While much heavier and not as advanced as the F6, it's a favorite camera, again. I foolishly let another F5 go about two years ago.
I bought my F5 new in 2002. The matrix meter sucks for color negative film. TTL flash also sucks if the flash is the primary light source.
No thanks for the F100.I bought my F100 used and the matrix meter works for extremely well for color and black & white negatives. The TTL flash with the SB800 is nothing short of wonderful. Maybe you should look into buying a F100.
I still own a F6, a camera that I can’t bond with at all.
Just curious, but what's the problem with the F6? I've thought about getting one. I've been using my F100 lately after years of disuse and it seems to work perfectly. Had an F4 back in the day but it was much too heavy. Built like a tank.
It’s too damped. I just cannot feel it. I’m disconnected from the act of taking a photograph.
The best example I can give is a sports car, with all the high performance potential, that feels like a Rolls Royce. Losing the feel of the road and of the engine will kill any sports car.
And that’s why I loved the F100: its agressive AF, and agressive film winding action, I was totally feeling it. The F5’s winding action was a bit more damped. On the F6 I almost don’t know if I took the shot.
I recall someone saying that the matrix meter was designed for slide film and not negative film, hence it's alleged poor exposure performance for colour negative. Was that you? I note the you are similarly unimpressed with the F100 metering. Is that due to the same fault? How are both models with B&W neg including Ilford's monochromatic C41 film, XP2Plus?I bought my F5 new in 2002. The matrix meter sucks for color negative film. TTL flash also sucks if the flash is the primary light source.
But I also would not go as far as calling it loud or even brutish.
Is the dancing rewind knob on the F4 or F5 and how does it dance after each exposure?I also like the dancing rewind knob after each exposure.
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I recall someone saying that the matrix meter was designed for slide film and not negative film, hence it's alleged poor exposure performance for colour negative. Was that you? I note the you are similarly unimpressed with the F100 metering. Is that due to the same fault? How are both models with B&W neg including Ilford's monochromatic C41 film, XP2Plus?
Thanks
pentaxuser
Is the dancing rewind knob on the F4 or F5 and how does it dance after each exposure?
Thanks
pentaxuser
No mention of the F4 ...! The best NIkon had to offer!
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