mikepry
Subscriber
Getting a Grip on Rodinal
Well I just couldn't dial in the semi stand development for the life of me. I was getting very eratic results making it impossible to formulate a logical timeand dilution. Very strange as I am very methodical in the darkroom. So, I started using the 1:50 and have gotten much better results. I have settled in at least for now with 8 min agitating GENTLY for the first 30 seconds and then 10sec every minute after that. I am rating it (Fomapan 200) at 160 but I maybe will drop my developing time some more as the negs are still pretty contrasty and the highlight densities are on the edge. I don't want to bring my film speed up anymore as I'll lose my shadows. I can print through using MG paper and split filter printing which is what I do anyways but still I may go down to 7-1/2 min and see what happens. I know that doesn't line up with the norm as far as dev. times go but am using a very old camera (Leica lllc) and since there is no meter in the camera, my Minolta incident meter. What's interesting to note is that the late 1940'sSummitar is not a contrasty lens so I think 8min is a tad strong. Everyones system is different in terms of calibration and what not so the shorter dev. time doesn't really concern me. I just wanted to report in and thank everyone for taking time out of their day to respond to this post.
Here is an image of the back of my house I have done with the 8min time. It is a scan from a print. It was a very bright and crystal clear autum day and I wanted to see how far I could go with the tonal range. I am happy with this combo and look forward to having some fun with it. Thanks again.
Leica lllc/5cm Summitar
Fomapan 200 @ 160
Rodinal 1:50 @ 8min
Ilford RC MG Brilliant
Peace,
Mike
Well I just couldn't dial in the semi stand development for the life of me. I was getting very eratic results making it impossible to formulate a logical timeand dilution. Very strange as I am very methodical in the darkroom. So, I started using the 1:50 and have gotten much better results. I have settled in at least for now with 8 min agitating GENTLY for the first 30 seconds and then 10sec every minute after that. I am rating it (Fomapan 200) at 160 but I maybe will drop my developing time some more as the negs are still pretty contrasty and the highlight densities are on the edge. I don't want to bring my film speed up anymore as I'll lose my shadows. I can print through using MG paper and split filter printing which is what I do anyways but still I may go down to 7-1/2 min and see what happens. I know that doesn't line up with the norm as far as dev. times go but am using a very old camera (Leica lllc) and since there is no meter in the camera, my Minolta incident meter. What's interesting to note is that the late 1940'sSummitar is not a contrasty lens so I think 8min is a tad strong. Everyones system is different in terms of calibration and what not so the shorter dev. time doesn't really concern me. I just wanted to report in and thank everyone for taking time out of their day to respond to this post.
Here is an image of the back of my house I have done with the 8min time. It is a scan from a print. It was a very bright and crystal clear autum day and I wanted to see how far I could go with the tonal range. I am happy with this combo and look forward to having some fun with it. Thanks again.

Leica lllc/5cm Summitar
Fomapan 200 @ 160
Rodinal 1:50 @ 8min
Ilford RC MG Brilliant
Peace,
Mike