Hello, ...
So. I was wondering if one can selenium tone some fiber based prints once they have dried out?
In my case, i often print at night and it's late when my print are washed. It's too dark in my apartment to rely on artificial light to check the toning so i was wondering if i could let my prints dry, and have them toned during the next days while in the garden (which also would help with the fumes since my darkroom is a closet)
Thank you for your help
Toning after washing and drying is perfectly acceptable.
My work flow may interest you. I print and give the first fix then wash and dry. After I've collected enough prints for a toning session (and weeded out some that are not keepers), I set up a water pre-soak, fix 2, toner, and wash aid trays. If you use an alkaline or neutral (enough ) pH fixer, you can transfer prints directly from the second fix to the toning bath. I use Ilford Rapid Fix diltuted 1+9 and have no problems doing this.
Also, I (like many) replenish and reuse my selenium toner. This keeps you from ever having to discard toxic heavy metals into the environment plus it is much more economical. I tone visually, so when toning times become uncomfortably long (for me, 6-8 minutes is too long), I add a small amount of stock toner to the toning bath to increase the activity of the toner. You only need a little. If for some reason you add too much, you can just dilute further to get the toning speed to a comfortable level. I like toning times in the 4-6 minute range. I keep two gallons of toner on hand, one stronger than the other, for toning different papers. Before and after use I filter with a coffee filter to remove the black precipitate that forms. My solutions are going on ten years old now and never a problem. Plus the unpleasant ammonia smell of fresh toner is only present for a small time immediately after replenishment.
A word about lighting when toning: The effects of selenium toning are more evident under tungsten/incandescent lighting than in daylight. If you plan to display your prints indoors, you may overtone a bit if you judge the change in image tone under sunlight. I find a 60-watt incandescent bulb 4 or 5 feet above my toning tray to be about perfect for judging image tone change.
The advice about keeping the denser areas just a small, tiny bit lighter than you want to compensate for the effects of toning is good, but keep in mind that the effect is small and depends on subject, type of paper, etc. Play around and get to know your materials. Sometimes I'll make two or three versions of a print, some lighter than others, and see which one is best after toning. I then discard the others.
Hope this helps,
Doremus
www.DoremusScudder.com