I agree completely with Wolfeye, and have been thinking that for a couple of weeks: the gallery simply has to go. It's a complete violation of the principles of this site, in the most blatant and hypocritical way. Either that, or some people need to loosen up and stop being so religious about what's essentially a silly issue. I vote for the second, but since the zealots are so vocal, I vote for dumping the gallery. That should make everyone happy.
I SO agree. I just ponied up $$ for membership a while ago, when I didn't realize there were so many silly, intolerant people here. Now I'm wondering if I made the right choice.
When someone posts one of those "my way or the highway" posts, I go look at their work. Guys, you're not so talented that you can afford to be so snotty. Really.
My beef has always been that a forum is a community. Splitting up into two different forums means participating in two different communities that seem to have slightly different cultures. Many are part of both, but then you have to constantly keep your communities straight and heaven forbid that you mistakenly reference the wrong thing in the wrong forum.
The result for some of us has been to just minimize our involvement here and start hanging out in other on-line forums, groups or circles which have a friendlier community. Being "exclusive" tends to make for unfriendly communities.
) Despite hanging around for over a year now, I wasn't even aware there was a DPUG. Had no idea. Also wasn't aware there were even galleries. So, what attracted me to APUG? At the time I was using a 1959 Kodak Brownie Flash & a 1952 DuaFlex and wanted some info. I quickly bought a 1937 Voigtlander Bessa, then had a 1914 Kodak No. 1 Special restored by Ken Ruth. I love those last two cameras! That in turn inspired me to pull out my Shen Hao 4x5 and start shooting it again after lying dormant for nearly 8 years. For the past year I've been buying historical lenses (concentrating on 1840-1859, but also have a few from 1890--1932.) I have no interest in 35mm and no longer own one. I really don't have much interest in film gear made after WW2, although I did buy a Chamonix 45n-1 last summer. (Love it!) And yes, I'll probably buy a Nikon D400 when it eventually comes out. My true interest is photography, not just collecting & using historic gear. What I like about my 1865 7 in. Voigtlander Petzval is it's handcrafted construction and elegant lines. Perched on my ultra modern Chamonix it instantly demands attention! I like the look the classic lens gives my images. More than that, I love the feeling of connection I get when I use it (and my others) to the photographers down through time. Who bought the lens originally? What did he photo with it? Did Fox Talbot himself ever pick up and fondle my 1855 E.G. Wood pillbox lens when he visited the shop? This is the sort of thing that attracted me back to film in a pretty big way. I have no interest in processing film, setting up a darkroom, and making my own analog prints. None: I'm an outdoor guy. Exception is I am interested in learning how to make either wet or dry plates to use in my Watson & Son tailboard camera. If I do get into wet plate I still won't have a darkroom. I'll be using a tent of some kind outdoors in the field like Andrew J. Sullivan. Eddie--
I didn't even remember DPUG existed. I took a quick look at it just now, and it's not my thing either. I scan my negs out of convenience because I have to do it to show people my shots. I'm not really "into it." I'm not a darkroom guy, I'm not a digital guy. I'm an outdoor guy.
Kent in SD
The OP asked "Isn't scanning a negative and posting it after using ''invert'' a hybrid process?"
Somehow this has turned into a discussion about "discussing digital" on APUG, which doesn't really address the original question.
The OP asked "Isn't scanning a negative and posting it after using ''invert'' a hybrid process?"
Somehow this has turned into a discussion about "discussing digital" on APUG, which doesn't really address the original question.
All Fuji mini-lab scans invert. So by definition all mini-lab product posted here violates the terms. The so-called "gray area" is huge. Is this a darkroom-only site? That is the purist agenda pushed to its logical conclusion to the point of alienating all those who share common lab results.
There are some people here whose extreme bitterness about film's decline in the face of digital make it very hard to try and promote and encourage the remnants of analog whatever way possible.
I don't have an answer to the question, is forum gallery posting a hybrid process. Obviously, the opinion varies. The way I see it:
1) Sean makes the rules and his rules are clear
Can we stop this?
Please refrain from posting any images that have been manipulated digitally
,Also no multi-media/mixed media hybrid images or hybrid images in general
this includes digitally enlarged negatives which are then contact printed (see our sister site hybridphoto.com if you are interested in sharing such work). All images posted should be a representation of 100% traditional work, typically negative scans or print scans produced from a 100% traditional workflow

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