Salut from Los Angeles/Paris

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glen

Member
Joined
Dec 8, 2009
Messages
2
Location
Paris>Los An
Format
35mm
Salut to everyone,

Here's me and what I'm interested in.

I've recently completed a Vistavision, 35mm 8-perf (24mm x 38mm) as opposed to usual 4-perf vertical, short film that is on the festival circuit. I know digital ccd's intimately but can't stand the flat, false space of digital images (video).

To get my filim out to festivals, I designed and built hardware and software from off the shelf components to scan 50,000 35mm frames at 78 lp/mm, the equivalent of IMAX resolution at full 16-bit color depth.

Most cinematic film stocks are Fuji or Kodak but I used a high-resolution, photographic stock.

For my next film, I want to shoot a feature, about 2 hours, on Fuji Velvia 50 or that homegrown Kodachrome. The color red should be red damn it. I'll need about 500,000 feet or 4 million frames.

The usual cinematic forums are all boring, talking about digital BS this or that, they show no creativity, no artistic vision. When I mention to light a scene like the impressionists would, no one understands.

Well that's it in a nutshell.

The film is here www.thejourney.ws or www.imdb.com/title/tt1377177

Cheers
 

papagene

Membership Council
Council
Joined
Jun 11, 2004
Messages
5,438
Location
Tucson, AZ
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glen - hello and welcome to APUG.

gene
 
Joined
Dec 30, 2005
Messages
7,175
Location
Milton, DE USA
Format
Analog
Fuji Velvia 50 or that homegrown Kodachrome. The color red should be red damn it. I'll need about 500,000 feet or 4 million frames.

NOW I WISH I COULD JUSTIFY BURNING THAT MUCH FILM AND BE ABLE TO DO SOMETHING WITH IT AS WELL.

Welcome to the forum, glen.
 
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