Russ - SVP
Member
Thanks
I suppose you are buying? Question cannot be really answered as asked. Specification wise they are similar, but old lens can have issues that can bring down technically superior lens far below another in actual performance. Need more info on each camera's condition. If both fairly equal there is no difference in what you end up getting in a photo, except that name does make a difference to some, especially if you end up selling it later.
Aha, in that case whichever brings up the good vibe at a moment to take you out go shooting. I have the 3.5f Rolleiflex and that is a different camera, but with numerous Yashicas (short of the 124G) I still enjoy them all.Thanks. They are both in very good condition. I was just wondering which one to load up and shoot with tomorrow? I’ve had them both forever, but just haven’t gotten around to using either one until now. I’ll thread a roll of ACROS into one of them, and post the results to you all soon.
Thanks
Thanks. They are both in very good condition. I was just wondering which one to load up and shoot with tomorrow? I’ve had them both forever, but just haven’t gotten around to using either one until now. I’ll thread a roll of ACROS into one of them, and post the results to you all soon.
Thanks
Sadly Autocord had serious focusing problem as most lever style TLR had. And buying used, one does not know where that problem stands, is it around the corner or is it deep into future.From experience of using different models from all the usual twin lens reflexes similar to the Rollie's I can say the Yashica models were not a patch on Rollie models, even the older ones. The build quality was OK-ish but the bodies did not have the same feel of quality as a Rollie. Even the Rolliecords. The only Japanese twin lens model that came even close to a Rollie was the Minolta Autocord. The Rokkor lenses on the later Minolta models was also far better than a Yashica. Not in definition, on that score they were about equal, but the Autocords were far less prone to flare.
If it is old Acros, that was certainly NOT a problem, as I have shot it in several different TLRs. If it's the new one, wouldn't that be AFTER the discussion you're referring to.Acros ?
You might want to do a search on that in a Rollei .
I remember a long thread either at the beginning of last summer or the one before , where the O.P was touring around Europe and had taken a lot of one specific type of film and there was a problem with loading if and using as it's backing paper was too thin .
I can't remember the details or if other people had problems , it seems that the camera needed a bit of adjustment to function properly with that film .
I seem to think it was Acros , so might be worth checking on before yo load up and set off out .
Acros ?
You might want to do a search on that in a Rollei .
I remember a long thread either at the beginning of last summer or the one before , where the O.P was touring around Europe and had taken a lot of one specific type of film and there was a problem with loading if and using as it's backing paper was too thin .
I can't remember the details or if other people had problems , it seems that the camera needed a bit of adjustment to function properly with that film .
I seem to think it was Acros , so might be worth checking on before yo load up and set off out .
That's the one , thanks .Here's the old thread about Acros and Rolleiflex https://www.photrio.com/forum/threads/acros-rolleiflex-pita.168625/
Thanks for the reply’s. I’ll burn the ACROS and Agfa APX 25 in the Rolleiflex today, and repeat the procedure in the Yashicamat very soon.
And let us know what you find out!
Thanks for the reply’s. I’ll burn the ACROS and Agfa APX 25 in the Rolleiflex today, and repeat the procedure in the Yashicamat very soon.
Please don't use the APX for a camera test![]()
It's no longer made, so some would consider it a waste of a roll.Why not?
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