I'm sure there are those who will dispute the Provia preference, especially the resolution fetishists (Velvia IS one of the highest-resolution films ever made), but I'll take more natural color any day. I've also been gravitating toward Kodak films lately - I'm not happy with the preponderance of green in Fuji emulsions. But then again I mostly shoot negative films, so I have the ability to tweak that far more than you can with a transparency film.
I can't say I obsess about MTF curves Scott but I know both Velvia 100 have the same granularity of PMS 8, all I can say as one who shoots very little landscape that in both 135 and 120 that when I project Provia in either format on my 50"X 50" white screen I'm very happy indeed with the sharpness and lack of granularity of the results, although I deeply regret the demise of Kodak reversal films there will soon be very little other choice
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