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- Sep 8, 2010
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I developed a roll of 35mm IR tonight in Rodinal, 1+50 for 12 minutes, pre soaked for a few minutes. The negatives came out weak, but this was on a new to me camera, I'm guessing I either messed up the temperature a bit or the camera is off. I have a roll in 120 to develop, I'm expecting better results for it!
Here are some 645 photos from the 120 roll. I think most of my exposure problems are due to faulty metering guesses on my part...
I'm not at all sure I can accept that statement. Yes, there are issues of spectral response of the meter, etc., but an incident reading establishes a reference point from which you can derive an exposure. I will certainly suggest "bracketing is your friend."You don't meter for IR film, since You can't.
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My own experience is that you can even use IR400 with a 760nm cutoff filter, it just takes somewhere on the order of 12 to 13 stops additional exposure over the ISO 400 incident reading, and is relatively lacking in reliability because it is working way down on the cutoff slope. A 720nm filter definitely results in shorter exposures. (Some examples here with both filters.) Scenes like the street scenes above just don't have the IR dynamics to provide the dramatic results we tend to associate with IR -- blue skies going near-black, Wood effect making cotton candy out of tree foliage, etc. I have even seen some Wood effect with Ilford SFX200 which is often described as "extended red"; that result was with an ancient Wratten 89B in my possession that, depending on where I look it up, has a cutoff around 695nm. (I have had some problems doing A/B filter comparisons because my motley assortment of filters are all different sizes.)[ ... ]Also, R72 is a bit too strong for such weak IR film like Rollei IR 400 (Rollei Retro 80S is actually better suited), meaning that you need real high altitude and/or lots of IR to cut through to the film and have a decent exposure.
I believe R72 filters to 720nm.
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That's correct. You got some nice results in that gallery you linked.
I think georg16nik is correct - you cannot meter for the near IR that the films are sensitive to.
What you can do is:
1) meter for the visible light; and
2) use knowledge and experience gained about when and under what situations there is a usable correlation between the amount of near IR present and the amount of measurable visible light present.
As an example, experience tells you that there is usually more near IR present near mid-day than at the end of the day, even when the meter readings at noon are the same as at the end of the day.
I'm not totally sure this is accurate. On the weekend, I TTL metered with a rangefinder, with an R72 filter on... it gave me back correctly exposed images using the metered value... What was I metering, if not IR light?
I'm not totally sure this is accurate. On the weekend, I TTL metered with a rangefinder, with an R72 filter on... it gave me back correctly exposed images using the metered value... What was I metering, if not IR light?
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