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- Jun 16, 2008
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- 4
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- Medium Format
Anyone got experience using both of these films? What are the differences/similarities? Thanks.
other than the konica being expired and most likely useless?
I'll have to agree with Rusty. Now that HIE and Konica have bit the dust there are no IR films worth shooting. IMO, one would be better off spending there money on getting a digital camera converted to a dedicated IR only instrument.I shot the Konica IR extensively in 35mm and medium format. It was quite sensitive to IR light. The 35mm version seemed to be a bit faster than the medium format stuff. Like Kodak HIE, it gave great results with a wratten 25 red filter.
I've shot the Rollei film quite a bit too, and I just don't see how it's an infrared film. Even with a R72 filter the "wood effect" is negligible. The Efke is better for IR work, but super, super slow.
All of my Konica has been deep frozen and is fine. It's slow speed makes it less prone to fogging. Are you interested in the 35mm or 120 size? If you're into 120 I can let you have a roll. Just PM me and if you're in the US I'll mail it out tomorrow.
I'll have to agree with Rusty. Now that HIE and Konica have bit the dust there are no IR films worth shooting. IMO, one would be better off spending there money on getting a digital camera converted to a dedicated IR only instrument.

Now that HIE and Konica have bit the dust there are no IR films worth shooting.
I'll have to agree with Rusty. Now that HIE and Konica have bit the dust there are no IR films worth shooting. IMO, one would be better off spending there money on getting a digital camera converted to a dedicated IR only instrument.

What ever beaks your noodle but I'm having fun with the Efke and Rollei IR films![]()
You should try processing your IR film in PMK pyro or Pyrocat-HD instead of Rodinal. Your negatives will be much easier to print, at least in my experience.Ditto to you Dave![]()
I'll have to agree with Rusty. Now that HIE and Konica have bit the dust there are no IR films worth shooting. IMO, one would be better off spending there money on getting a digital camera converted to a dedicated IR only instrument.
Sorry, I didn't intend to put words in your mouth. But my criteria for rating current IR films are are based on using HIE as a bench mark and the Konica IR as a secondary comparison.I didn't quite say that! The Efke IR has a beautiful wood effect and IR sensitivity, almost as good as Kodak's. You'll just have to bring a tripod and lunch. As soon as they get cheaper on the used market I'm going to buy a 2nd D70 and hack it for infrared. It's not HIE, but it might be worth having one. I hope to shoot some EFKE IR in 120 this summer so have not given up on film IR yet. If only EFKE could make something as fast as Konica's old emulsion, at least ISO 25.
I'll have to agree with Rusty. Now that HIE and Konica have bit the dust there are no IR films worth shooting. IMO, one would be better off spending there money on getting a digital camera converted to a dedicated IR only instrument.



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