...Ferrania produces colour film...
I found a website that lists color film as a product of Lucky in China. I don't know much about it.
http://www.luckyfilm.com/html/product/mastersite/en/cf/index.html
I found a website that lists color film as a product of Lucky in China. I don't know much about it.
http://www.luckyfilm.com/html/product/mastersite/en/cf/index.html
Kodak supplied materials and coating expertise to produce color films in the 90s using formulas from an earlier period... reports here say that the color film is grainier and less sharp than other similar films on the market.
PE
PE: I dont know if you would have any knowledge or experience in it but how much of Kodaks film business has been motion picture stocks vs stills stocks? Either historically or currently?
Very true, and I understood your point at the time. Fear not: probably a lot of other people did too.
I think you're right. But to me, that's water under the bridge. When Kodak expanded, the future looked bright and expansion seemed a good economic choice. It is fair to say that a lot of businesses have been blindsided by change.
When it became clear that film was starting a major decline in sales, Ilford chose to restructure, get smaller and concentrate on black and white film. While Kodak chose to use the cash from film operations to try to turn into a digital company. Ilford's parent has a division that sells printer paper, by way, so it isn't film only either. Again, water under the bridge. Both were legitimate strategies. I prefer one but understand the other.
I still maintain that there's too much panic in threads like this. We'll go crazy if we post about every negative prediction from every obscure stock tout or committed digital evangelist or negative nellie. I've been reading about the imminent death of film for five years now, and it's still here. I don't know about anybody else, but I bought some film from Kodak and Ilford this week, not to stick in a freezer, but to use. I'm shooting some of the new Portra 400 this weekend, and I can't wait to see the results.
-Laura
BTW, whatever did you mean by "the mistakes in you glossry"?
PE
What I wanted to say is this: there are companies independent of Kodak and Fuji which can create highly sophisticated photo chemicals - I doubt they could do this without advanced understanding of color film chemistry. And these companies can deal with low volumes properly. At the same time there are companies which can coat film in low volumes while turning out a profit. If these two skills can be combined and the relevant patents expire, I see no reason why a company couldn't pick up the slack after Kodak drops the ball on film.No, the chemical companies that make kits are NOT equipped to coat film or paper. There is absolutely no crossover in either production facilities or coating.
Fabrizio;
Kodak had smaller machines, but as I posted earlier, they were dismantled several years ago. They don't have the money to build new small machines. So, they are stuck with an earlier decision to produce high volume, high quality film and now they cannot easily back up to low volume.
And, as volume goes down, and maintaining Kodak's quality, then the price goes up. Many here already complain about their prices and will use other films instead.
That is the problem.
PE
Only PE can defend or victimize Kodak, lol, hey, they got what they wanted, drop out of the film market smoothly and if possible victims of something...
Perez got what he deserved and wished for years, Kodak is a victim of Kodak policy, nothing else.
The only ones needed are the ones commited to film, those who aren't, goodbye and good luck.
Support Ilford!
I remember reading at one point that 90% of all film coated by Kodak was Eastman Color Print film, the film used for release prints to theaters. That's not even including the camera original and intermediate films.
All of you armchair economists have forgotten taxes which are higher in NYS than just about anywhere in the US, and here in Monroe county they are just about higher than anywhere in NYS. So, Kodak bears a HUGE burden in taxes and in fact, this was the reason that they were literally forced to demolish buildings that could have been renovated and rented out as office, lab or manufacturing space. It was less expensive to turn those buildings into grassy areas.
As for the earlier comment about one sheet being as easy to coat as a mile, this is a very poor argument. The methods used to coat single sheets increase labor costs and defects. In fact, as you go from 1 mile to 1/2 mile, the costs are the same using the same equipment, but the idle time increases burden as the plant and machine must be kept tempered even when idle. So there are two ends to this train of scaling, the low end which is impossible on a production scale and the high end which is near impossible as you scale it back due to hidden costs.
PE
I meant that the mistakes in your glossary (= word list, dictionary etc.)
(published on Emulsion 101 under your name)
were rather obvious.
Is it possible they are simply cut and pasted from your book draft?
If so, maybe they are cut and paste errors.
Fotokemika in Croatia (Efke, Adox) has smaller machines that are said to be economic at lower levels of production.
Only PE can defend or victimize Kodak, lol, hey, they got what they wanted, drop out of the film market smoothly and if possible victims of something...
Perez got what he deserved and wished for years, Kodak is a victim of Kodak policy, nothing else.
The only ones needed are the ones commited to film, those who aren't, goodbye and good luck.
Support Ilford!
I will truly be bummed when TriX is gone
Alan;
Many products require more than one layer...To get a real feeling for this... production of color would be at about 1/7th that rate for a 2 station coater and with a huge defect rate due to the method of coating and the constant rewinds. The film would therefore be very very expensive to produce in sufficient quantity.
PE
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