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My issue developed after about a year of use. Of course, by then I was totally hooked and I put up with it. I'd love to know if RH Designs or Second-Hand Darkroom responds to your issue. It might be worth my while to contact them for a replacement switch.Dear Pieter12,
thanks for your reply!
I have indeed thought about improvising a footswitch since it didn't appear to be overly complex. Thanks to your encouragement, the chances of me actually doing so have gone up
Compared to your situation, my "problem" doesn't seem all too bad...turning the lamp on instead of switching channels has been on my mind several times already which is why I'm extra-careful not to twitch or anything when I press the button hahaha. Did you buy your's new like that or has this developed over time?
My Start/Stop button has a slightly different problem, as in being not sensitive enough, mainly because it doesn't provide the same resistance as the other buttons. They have a clear treshhold that needs to be overcome in order to push them and tactile feedback will let you know that you did (much like an old-school computer keyboard). Therefore, with the Start/Stop, it already happened several times that I didn't press the button energetically enough and nothing happened hahaha. From what you wrote, I'm afraid my Stopclock could be a candidate for a fiddly button in the future and I already contacted the seller (or rather RH Designs, since Second-Hand Darkroom where I bought it is currently closed on furlough, presumably due to Covid-19).
My issue developed after about a year of use. Of course, by then I was totally hooked and I put up with it. I'd love to know if RH Designs or Second-Hand Darkroom responds to your issue. It might be worth my while to contact them for a replacement switch.
Maybe you can help me with my original question, from before the thread concentraded on button response: is it normal that the burn-in programs (as opposed to the base exposure) do not provide a small "hand positioning" delay between actually pushing the button and the timer starting (together with the lamp coming on, not the warm-up function)? I still can't make sense of why it is designed that way. I sure could solve this with a footswitch, but I'm curious because the function exists (during the base exposure), but just not where I could make use of it. Am I doing darkroom wrong? hahaha
I would have to go and look for myself as I tend to use the timer purely for exposure and not so much the advanced settings.
Thanks Tom,
I had contacted RH Designs (since SDS is still closed on furlough) some days ago and have already received a reply concerning the burn-in delay.
Information by courtesy of RH Designs:
the Stopclock was originally intended to be used with a footswitch, which is why the delay when burning was not included into the programming. Also, the Stopclock was originally sold including a footswitch. A practice which was stopped in order to keep prices down and because a majority of buyers didn't use the footswitch, which is why it became an accessory.
So, no, there is no delay when burning in and the original layout of the Stopclock did not change when the footswitch was excluded.
I have one that I've only used a handful of times with my Analyzer Pro. My biggest problem with it is finding it with my foot in the dark. Maybe my safelights are too dimI have a couple of RH Designs foot switches that I've never used so perhaps I'm not unusual in that aspect.
I have one that I've only used a handful of times with my Analyzer Pro. My biggest problem with it is finding it with my foot in the dark. Maybe my safelights are too dim
Sounds like a job for glow-in-the-dark sticky stars hahaha
Not unless you drop your paper on to it.I thought about that! Or some glow in the dark tape. Just wasn't sure if it would fog my paper.
I thought about that! Or some glow in the dark tape. Just wasn't sure if it would fog my paper.
From Steve Anchell's Darkroom Cookbook, page 15I stick glow stars on the ceiling, and also in other strategic spots so I can navigate in total darkness when tray-developing sheet film. Glow stars can be found at any art supply.
I thought about that! Or some glow in the dark tape. Just wasn't sure if it would fog my paper.
Ok, I'm convinced. Glow stars it is.If it works for Martha Casanave, I'm sure it'll work for us, and I quote:
From Steve Anchell's Darkroom Cookbook, page 15
Thanks Martha!
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