Happy to compare images 1:1
Also an idea: check out YT video about the V-Lux 1&2, they seems to have more and more followers (the "US$199 Leicas"). Whats not to love?
No:
On a site like Photrio, which rightly venerates mechanical precision and silver halide, I’ll risk heresy: the Leica V-Lux line is the purest expression of photographic uncool.
Bridge cameras were always socially awkward. Not quite professional, not quite beginner—favoured by the aspirational enthusiast who wanted every feature and every focal length in one reassuringly bulky shell. The genre carries the faint sociological aroma of suburban middle-class Sunday-buffet abundance: too much of everything, none of it rare.
The V-Lux compounds the offense. It is, in essence, a rebadged Panasonic, so the Leica purist dismisses it as inauthentic. Meanwhile, the reverse-snob contingent delights in “exposing” it as a red-dot tax, neither a true M nor a cult classic. It belongs fully to neither the Leica tribe nor the anti-Leica tribe.
Aesthetically, it sits in an uncomfortable no-man’s-land. We celebrate lo-fi plasticity in Lomography, and mechanical gravitas cosplay in 1950s medium-format folders.
But a 1-inch sensor superzoom with image stabilization and 4K video? Too competent to be romantic, too recent to be nostalgic.
Add to that the YouTube ecosystem, where endorsements often come from earnest, suburban “camera dads,” and the V-Lux becomes culturally radioactive.
Which is precisely why I like it. It is normcore photography hardware. The L.L.Bean sweater of cameras. The dad jeans of optics. Functional, unpretentious, faintly embarrassing—and entirely free of aesthetic signaling. The Jaguar X-Type of cameras.
I’ll probably buy another one.