Sirius Glass
Subscriber
I do all my processing in a Jobo processor: 35mm, 120, 4"x5".
I was specifically referring to digital Fuji X100 (I have the T, newest is the F), so a fixed lens rangefinder that not only looks like a dream, but shoots like one too. So for that alone it is a joy in my hands and love using it in full manual and I dare to say Fuji nearly made it a perfect hybrid, a not just a hybrid finder, but a great transitional camera from analog to digital shooting (and back for that matter). This is not the place to discuss digital, but had Fuji engineers not drink too much towards the end of design stages, it would have been as perfect as I would ever want a digital to be. Sadly stupid lens front ring just killed any progress I had tried in me fully loving it and the 2 auxiliary lenses are just a marketing scheme (they do work, but the the double the bulk, have (again) stupid screw on arrangement, menu change so firmware knows it shoots through whichever lens for in camera distortion adjustments on the fly (the F I believe has auto recognition). I still like Fuji analog gear, but this post was not about them.Wit: Fuji? Been there, done that and for my money... they ain't bad. Enough positives I bought one for my daughter when she got out of nursing school. Not a fan of Fuji glass per se and gravitated to adapted OM glass and Contax CY lenses. Sent my daughter all the old OM primes when I dumped the Fuji system... and she's loving the size of those old, small guys. They were pretty doggone good if I don't say so myself... and inexpensive.
Fuji cameras can be had inexpensively, and do a decent job. Unfortunately... it ignited a love affair which drew my wallet into the game. And then I got ideas... like that lenses should all have the same filter size or something, or at least have a family "system" based on something like that. And Fuji seems to be one camera company that definitely doesn't care a fig about this. Most give it a single, half knee bend and today, only with a time machine to pick up the older (and better pre-EPA glass). Zeiss, Rollei and Nikon seem to work harder on this than some others. But with much digital, folks don't care, and they do make such things as adapter rings. I'm a big fan of Fuji's protective glass filters, polarizers, etc. and combining polarizers with yellow filters for B&W film. FWIW, I came kicking and screaming into the Nikon tent from everywhere else to have one set of lenses for film AND digital in the 35mm/"Full Frame" size.
Digital photography and post processing will have soon become the leading factor in developing obesity, cardiovascular disease, high blood pressure and fast brain cell deterioration. Just saying.I have read all of the replies above and am intrigued by the various thoughts out there for and against. I really don't want to spend my days playing around with Photoshop or Light Room tweaking till the early hours with RAW files. A local amateur who seems to have lost his mind in the local camera club recently returned from a club shoot with over 600 shots taken on his Nikon DSLR. On my last adventure with the Rollei, I took 7 shots out of a roll of 12.
At the moment I am not ruling out developing the film myself at home and scanning the negs? Or am I just kidding myself?
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