GRHazelton
Subscriber
Many years ago my father and I had an active darkroom. We rolled our own Beutler film developer - Neofin Blue - and enjoyed Luminos fb paper. Off to college and I fell from photographic grace.
In my late 20's a dear friend and I set up a bw/color darkroom in his basement. We tried to make money shooting weddings and sporting events, but rarely made more than would support our habits. Our serious work was bw on fiber paper, since the relatively new RC stuff was in our eyes awful.
That was in the late '70s. Joe moved away and died; I soldiered on with color prints and slides, being unable to stomach the drugstores' ravages of bw.
I went to a hybrid analog/digital system about 3 years ago, shooting my Pentax LX and a Pentax K10d. The color prints from my Epson R1800 are fine, but I can't get a bw print worth bothering with.
Now that I've retired I am going back to "wet work." I scored a Beseler 23c III XL, a Componon S 50mm f2.8 and a Negatrans carrier - all used - to fill out the old darkroom stuff. The hardware is what I'd dreamed about back in the day, and now its affordable - even if paper isn't! My dear wife suggested that I use the upstairs bath, which is only for overnight guest use.
Some advice from the group mind:
My thought is to use RC to make "proofs" in 8x10 to see if I want to explore working up a "proper" fb print. Are the RC and fb papers from the same manufacturer equivalent in speed?
Back in the day we used graded papers. With the cost of paper (in the mid 70's Joe and I bought Ilford sw 8x10 for $10. per 100) variable contrast seems the way to go. What is the consensus about comparative quality?
I notice that there are several makers of vc filters. Are they essentially equivalent, or should one use Ilford filters for Ilford papers, for example.
Thanks for any help. Its strange to feel like a neophyte in an area in which I was once pretty good.
"Ah, the smell of hypo in the morning...."
George, living in Jonesboro, GA
In my late 20's a dear friend and I set up a bw/color darkroom in his basement. We tried to make money shooting weddings and sporting events, but rarely made more than would support our habits. Our serious work was bw on fiber paper, since the relatively new RC stuff was in our eyes awful.
That was in the late '70s. Joe moved away and died; I soldiered on with color prints and slides, being unable to stomach the drugstores' ravages of bw.
I went to a hybrid analog/digital system about 3 years ago, shooting my Pentax LX and a Pentax K10d. The color prints from my Epson R1800 are fine, but I can't get a bw print worth bothering with.
Now that I've retired I am going back to "wet work." I scored a Beseler 23c III XL, a Componon S 50mm f2.8 and a Negatrans carrier - all used - to fill out the old darkroom stuff. The hardware is what I'd dreamed about back in the day, and now its affordable - even if paper isn't! My dear wife suggested that I use the upstairs bath, which is only for overnight guest use.
Some advice from the group mind:
My thought is to use RC to make "proofs" in 8x10 to see if I want to explore working up a "proper" fb print. Are the RC and fb papers from the same manufacturer equivalent in speed?
Back in the day we used graded papers. With the cost of paper (in the mid 70's Joe and I bought Ilford sw 8x10 for $10. per 100) variable contrast seems the way to go. What is the consensus about comparative quality?
I notice that there are several makers of vc filters. Are they essentially equivalent, or should one use Ilford filters for Ilford papers, for example.
Thanks for any help. Its strange to feel like a neophyte in an area in which I was once pretty good.
"Ah, the smell of hypo in the morning...."
George, living in Jonesboro, GA
