I've already got it on order in Canada. It hasn't shipped yet but I ordered it at the end of Feb.
-Rob
-Rob
Still... I can always order at Silverprint, I understand (although I don't see it on their website either...).
Silverprint have only just got SFX in so it hasn't hit the website yet. However, you can either phone them for details or order online without supplying the product code, just use the description field.
Brian
SFX 200 is available in Germany.
Today I received 25 in 120 format and 5 in 135 format.
It was delivered by www.Nordfoto.de.
Kraker,
although Silverprint doesn't appear to say so on their website, I'm sure I got a 30% discount for ordering 10 films.
I've now used three 120 films and I think I'm starting to get the hang of exposure and development times. (Perceptol at 1:3 not being in listed in the developement chart)
Brian
<rant>
A bit higher price than NordFoto, but then again: at least you can place an order for less than EUR 238 at Mayr. NordFoto has -for some reason- EUR 238 as a minimum order for outside Germany :rolleyes: (I can understand there's a lower limit, but EUR 238 isn't really low, now, is it?).
</rant>
I have shot some SFX films with my Canon EOS Kiss(Rebel something) and Konica Hexar RF, both camera have IR film advancing but with no problem.
You may not be able to see well through a 89B filter. It's really dark. So I put a filter behind the mirror of my EOS.
As for the metering, rated as EI160 and a red filter(R-60) with TTL metering worked fine for me. This would be my favorite combo, much better than usual film with orange.
With a very deep red filter(R-72), I just use f5.6 and 1/30sec under bright sunshine as Ilford suggests. Exposures were right on.
Focus adjustment should depend on lens used. Newer lens with good chromatic correction won't need it, since SFX is not that much different from other panchromatic films, I think.
I've done one roll as well, using the deep red (almost black) Cokin filter that came with the promo pack. I was still able to meter through the lens, and didn't make any focus adjustments. The shots looked relatively sharp, but more experimentation is needed to confirm the lack of need for focus adjustment for myself. I used Ilfosol as a developer. My initial impression is that this is a really nice film. I expect to use a lot of it this summer.
I was wondering about what the Ilford site sais about the f5.6 at 1/30- If the film is ISO 200, using sunny 16, it would equate to f5.6 at 1/30, no filter. Then add the 16X (4stop) filter factor for the 89b SFX filter, and that gives f5.6 at 1/2, does it not?????? :confused:
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