ansel adams in the earliest beginnings of his work was not the ansel known today
so you can toss out pretty much all you know about ansel in regards to proving these negatives as his
why would he teach using negatives from a "confused" period in his photography when he was there to teach zone system and a masters workings
as a "before" example
his development was all over the place at least compared to zone
he vaulted his negs after the fire not before
I'd come back from a trip with Edward Weston and Charis. Somebody
came pounding at the door and said, "There's a fire in the darkroom."
So we dashed out and, sure enough, there was a fire. The firemen
were there, and all I could think of, of course, were the negatives.
So I dashed into the center room, with hot water coming down from the
ceiling, and getting soaked, and reaching for and grabbing boxes of
film and pulling them out. I would rush out, throw the negatives on
the ground, and dash back to get more. You know, this hot water
there was an awful lot of steam; you had to hold your breath. I
saved a great many negatives, but many of them were partially charred.
I remember, the last time I was in I saw that the dry mounting press,
which had a porcelain switch on it everything else was just covered
with smoke, but this switch was bare. So this little German
photographer [who had been working in the darkroom] had apparently
left it on when mounting, and the thermostat had failed, and this
started the fire. But he'd gotten in and turned it off, because it
was the only thing that had been wiped off, and it was in the "off"
position.
Well, then I took all the films and put them in the bathtub.
You know, we had a terrific amount of stuff. And some of them were
burned beyond help. This picture of Half Dome had a water mark on
it on the side. We saved quite a number of things, but a lot of the
pictures done for the Yosemite Company had been burned, and most of
my High Sierra stuff in the northern part of the park was gone.
Well, here was this bathtub filled with film, and the insurance
adjuster arrived the next day (the water was fortunately cold I just
kept putting cold water in it), and he took one look and said, "Total
loss." I said, "I do have some left." He said, "Total loss" you
know, he'd realized what had really happened.
Well then, after we got all the negatives safe in the bathtub, we
had nothing to do. We had a few drinks and played Bach. Poor
Edward was just exhausted flopped on the floor and went to sleep.
Nancy's got that story [in The Eloquent Light] . But the point
is, a great many very valuable negatives were destroyed. Of course,
some were saved. A lot that had historic value were saved, but they
were in little albums. And one of the great jobs was getting them
all together and re-enveloping them and retyping the identifications.
There were just thousands of 35 millimeter, and the movie series I'd
done of rushing water they were very special most of that was all
gone.
What was the movie?
It was a movie series I did of just moving water, cascades very
specially developed with para-phenyline-diamine.
I did details of water with a very high
shutter speed on panatomic film and had that developed in para-
phenylene-diamine, and had a print made and developed also in para-
phenylene-diamine . It was the most beautiful image you've ever
seen in your life. Beautiful color, warm, rich, and sharp. It
burned up in the fire we had at Yosemite.
The Albert Bender insurance company was simply marvelous no
haggling at all. I had about twenty-five film holders that were
damaged by water. I couldn't use them again. Brett Weston said,
"Well, they are salvage 50c apiece I" Made a check out to the
insurance company. You know, he's still using them. [Laughs] They
were damaged, but he dried them out. I would not trust them!
ansels glass negs he says were taken on first sierra hike in 1923 inc half dome previsualization
When did you meet your husband? V. Adams: I don't know 1923 maybe
Was that '23 when you and I met, when Ansel Hall
introduced us?
Adams: No, I think it was before that
Helen LeConte** said that he said that you had met in 1916; she
didn't remember, but he said you had.
Adams: It was on the Yosemite Falls trail in 1916.
V. Adams: I didn't realize that.
Ansel was acting as custodian at the LeConte
Memorial in the valley, and his custom was to take photographs for
a month after this summer in the valley, and then go back home to
San Francisco, and he'd spend weeks developing all the pictures
he'd made. You know, there was no darkroom in Yosemite then. That
was just in the bathroom, you know things were simple like that
Was he photographing then?
Well, he'd go out for a month on a trip after he'd had the summer
in the valley and photograph, and then he'd come back with the
pictures. He'd go with some other young man and a donkey or two.
UNCLE EARL!! lol ..looks like it was a Mr. Holman.
What were the pictures he started making that you sold?
V. Adams: Oh, of Yosemite. Not so much of the high country, because I don't
think Dad thought they would sell as well. Pictures of the valley,
and nice delicate little scenes in the forest.
Teiser: Small prints?
V. Adams: Yes. Some were four by five mounted on a bigger card, and some
I guess were maybe eight by ten and ten by twelve, but nothing
like these big things at all.
Teiser: Do any of those still exist? Do you have any of them?
V. Adams: I don't think that I have. I don't know. We'll have to ask
Ansel. It may be that there are some. I know Nancy Newhall tried
to find all sorts of things from early days [when she was gathering
material for The Eloquent Light] .
Teiser: Incidentally, you asked if we'd like to see some of those papers,
and maybe sometime we would.
V. Adams: Well, I know she sent back a lot of things. We'll have to ask Jim
where he filed them away.* There were many things she took east
right in the beginning. Then they had a big fire in Rochester, and
there was smoke damage on some things, and things that I didn't
know what had happened to them turned up to be safe and came back
west again.
but she probably wrote that book in the 50's