What I'd consider "the next question" then is how much B does it take to make a visible (not measurable, since some people can -- or claim they can -- measure a gnat's whisker at a hundred paces) difference in the negatives? The B factor reasonably includes some level of exhaustion, oxidized developer products, dyes from films (for those who don't pre-soak), bromide, and various other things -- but at some point, as noted, it stabilizes; the lower your replenishment level, the higher the stable B value. If you process a mix of 35mm and 120, or (as I do) double load your 120 so a liter of developer gets four rolls, it'll stabilize at some value between the all-35mm, stainless tank value, and the all-120, Paterson tank, one roll per reel value -- even mine, since I don't always have an even number of 120 rolls that need the same time, so I wind up with one, or three, thus less film per liter.
BUT! If that end result, some level of B that we might reasonably expect to run (at 70ml/roll recommended replenishment) somewhere between 13 and 17 B/L, produces consistent negatives, who cares? Aside from the fact your developer might not be fully seasoned until sometime after you mix your second 5L of replenisher...
@Bormental and I have gone back and forth about the difference between him having to add a bunch of time on a specific film and still losing speed -- and me not having to do so and getting good shadows at box speed. It might well be partly due to his much higher processing volume; my developer (with only a bit over a liter of replenisher consumed) likely isn't even really seasoned yet (since I have 2L of working solution, and started replenishing from roll 1, expecting to adjust development when and as needed -- and it hasn't been needed yet), and his, on the third bag of mix, is (was, before the filter incident).
I agree it would be tough to measure, either objectively or subjectively. So far both my usage of and experience with Xtol-R are closer to yours than his.