No, but thanks for the reply. I am needing a plug-in that works natively with Lightroom Classic (not CC or mobile).
@Old Gregg I don't always agree with you but I recognize the quality and experience of your comments in this forum.https://negmaster.com/ and I prefer it to NLP indeed.
Doesn't do black and white, though.
I'm not very good with it as I haven't been doing much color lately, but I do have it. It works, and its little toolbox is good.
Weird, convoluted process getting it installed and in the workflow... but that's adobe. Everything about adobe has to be way harder than it should be. But for that you get to work in positive instead of negative, which is nice.
I'm working on a version of simple image tools that will output tiff files, won't require anything from adobe, have a reasonably nice UI, and will run on multiple platforms. It's been really slow going though simply because I've been ridiculously busy with other paid work. There's clearly a market for negative film scanning software that doesn't rely on Adobe.
@Adrian Bacon@Adrian Bacon count me as a beta tester. I said this before and I will repeat this again: the market for mini-labs is much more lucrative than consumers. Give them a scalable replacement for Noritsu workflow (those are dying everywhere), charge them a monthly subscription, and you will be rewarded with customers who appreciate your product.
Once you drop below a certain price point, you're exposing yourself to the world of morons who'll feel entitled to hours of your support time to help them troubleshoot the USB connection for their camera, just because they sent you their precious $99 two years ago.
As a one-man operation, avoid doing business with customers who can't afford $1K per year. Serving those markets requires substantial upfront investment and I am not sure that film scanning is big enough for that.
TBH it has more to do with NLP. It tries to be too "smart" aggressively clipping channels or fighting color casts that were actually in the scene, it reminds me of Photoshop's "auto-color" function, if you ever used that.
Despite seemingly more complex interface, Negmaster basically has a single setting (called "auto balance") which has an optimal value for each film emulsion, you will have to determine that experimentally. Once you tune that in, Negmaster output is extremely close to manual inversions, only flatter - and you want that to apply your own contrast curve. That's the 2nd difference: Negmaster aims to produce a starting point for your further corrections, while NLP tries to give you the finished image.
One caveat is that Negmaster, in its pursuit of being a "digital RA4 paper" (a term I'm stealing from Adrian) is more sensitive to your scanning quality, i.e. the light source and digital camera exposure. NLP, on the other hand, always tries to fix all your wrongs, again just like Photoshop's autocolor+autocontrast would.
That being said, NLP quirks can be learned with enough practice. In the end, you will be able to produce 3 absolutely images indistinguishable from each other: one from NLP, another from Negmaster, and the manual.
Happy Holidays!
Thanks, I think I get the idea, I’ll give it a go in LR.I don't know about "formula"-- but having done the odd scan with my DSLR, with the white balance set to match the white balance of my light source, load the image into Affinity, and use the "blue" mask to set the white point, and then invert, followed by per-channel levels adjustment, usually gets me into the ball park. Affinity has an "auto-color" button that seems to help with this process as well.
For trickier negatives, I use Darktable's "negadoctor" module.
By this question, do you mean that you could eliminate the need for NLP or Negmaster?For colour negs I use my Plustek Ai with the Silverfast suite, but now and agin I would like to use a digital camera to take a ‘snapshot‘ of the colour neg, eg for panoramic negs. It’s so infrequent that I would prefer, if possible, to use Adobe LR and or Photoshop.
My question, is there a LR/Photoshop ‘formula’ to obtain a ‘reasonable’ conversion that I could save as a preset? And am I right in thinking a good start would be to negate the orange mask?
By this question, do you mean that you could eliminate the need for NLP or Negmaster?
Do you have just the base version of SF 9, or the base version plus the add-on?
Yes, I did mean Silverfast 9.Yes that’s the idea. For the amount of colour negs I plan to do outside of Silverfast using the Plustek, ie for wide angle a la XPan look-a-like where the neg is too long for the Plustek gate, then I need an alternative, ideally without purchasing extra software such as NLP or Negmaster.
When you say SF 9, I suspect that’s Silverfast. My computer is off at the moment so can’t say whether or not it’s ver 9. But the S/W is tied to the Plustek and i believe it can’t be used to convert camera ‘scans’ as far as I know.
I don't, but if I could use SF to accomplish the same goal, that's one less step in my workflow.Why not like NLP?
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